Warforged are a death metal band from the US and this is their second album.
Warforged bring us a death metal hybrid that mixes technical, progressive, experimental, and atmospheric elements into a 46-minute ever-changing monster. Continue reading “Warforged – The Grove | Sundial (Review)”
This is the second album from Swedish atmospheric death metal band An Abstract Illusion.
An Abstract Illusion play an electronically enriched form of atmospheric death metal, replete with black and progressive metal elements. Woe is a 60-minute journey into the band’s accomplished realm. Continue reading “An Abstract Illusion – Woe (Review)”
Although I managed to see The Ocean’s livestream show and I enjoyed it very much, I’ve been looking forward to catching them in the flesh once again. So here we are, back in Manchester, back with The Ocean, (and friends). Continue reading “Into the Heat – Out of the Shade UK & EU Tour – The Ocean/LLNN/Playgrounded – Manchester Club Academy, 03/09/22 (Live Review)”
This is the debut album from Danish post-metal band Offernat.
Offernat play a hybrid form of music that blends black, progressive, doom, and post-metal elements together into four mammoth songs. Continue reading “Offernat – All Colours Retract (Review)”
Feather Mountain are a progressive metal band from Denmark and this is their second album.
To Exit a Maelstrom contains 45 minutes of modern progressive metal that incorporates elements of alternative and progressive rock. There’s also a djent influence, but it’s not an overbearing one. Continue reading “Feather Mountain – To Exit a Maelstrom (Review)”
This is the fifth album from US progressive doom band Dreadnought.
Dreadnought play a brand of progressive doom, with black, folk, jazz, classical, and post-metal elements all embedded into it. It’s a heady mix, but the band have more than enough talent and skill to pull it off. Continue reading “Dreadnought – The Endless (Review)”
This is the fifth album from UK progressive rock band Dawnwalker.
Driven by a single artist who has gathered a rich band of musicians around him, the core standard instruments are fleshed out by piano, violins, and no fewer than four vocalists. Continue reading “Dawnwalker – House of Sand (Review)”
This is the debut album from Moths, a progressive doom band from Puerto Rico.
Moths paint from a rich and diverse palette and play a form of music that takes influence from a range of places. In essence it’s a mix of stoner, doom, psychedelic, and progressive metal, which has then been expanded to include elements of space rock, 70s progressive rock, and jazz. It’s quite the experience, and Space Force contains 28 minutes of characterful material. Continue reading “Moths – Space Force (Review)”
This is the eighth album form US progressive metallers Leviathan.
I first encountered Leviathan on 2014’s Beholden to Nothing, Braver Since Then. I enjoyed that record, so have made sure to catch up with the band every time they produce something new; 2018’s Can’t be Seen by Looking: Blurring the Lines, Clouding the Truth and Continue reading “Leviathan – Mischief of Malcontent (Review)”
This is the debut EP from New Zealand metal band Infinity Ritual.
Infinity Ritual play a groovy metallic brand of doom and stoner, and this EP features four tracks of material with a total duration of 23 minutes. Continue reading “Infinity Ritual – Infinity Ritual (Review)”
Wonderbox Metal 