This is the third album from Terra Tenebrosa, a black metal band from Sweden.
Terra Tenebrosa are definitely one of the stranger, more imaginative bands out there at the moment. This is experimental, avant-garde metal with a blackened side and all manner of sinister and misanthropic vibes.
If you take a mutated, warped black metal core, and add in Continue reading “Terra Tenebrosa – The Reverses (Review)”
Wren are a post-metal/sludge band from the UK. This is their latest EP.
We know Wren from their very enjoyable split with Irk, and I was eager to catch up with their latest release to see how the band are progressing.
The answer seems to be that they are progressing very well, thank you.
These tracks continue to Continue reading “Wren – Host (Review)”
Mortillery are a thrash metal band from Canada. This is their third album.
Mortillery play old-school thrash metal, influenced by the Bay Area scene and with an aggressive hardcore undertone.
The singer swings between rabid shouting screams and powerful cleans, somewhere between that of Kreator and Death Angel. Her voice has quite an individual quality to it and she ably Continue reading “Mortillery – Shapeshifter (Review)”
Narvik are a German black metal band and this is their second album.
Grim black metal screams make up the bulk of the vocal output on this release. The singer has depth to his voice and is a shade deeper and stranger than is traditional.
The guitars have that nicely blackened tone to them; sharp Continue reading “Narvik – Ascension to Apotheosis (Review)”
Age of the Fanatics is Gutter Instinct’s début album, and what an album it is. Their ability to merge Swedish death metal with evil blackened auras has proven to be a stroke of twisted genius, and Age of the Fanatics is definitely one to keep returning to again and again.
Curious to find out more about a band with one of the most diabolical sounds around, Hannes, (rhythm guitars), and Oscar, (lead guitars), were kind enough to give me a tour of the Hellish landscapes that they have created… Continue reading “Interview with Gutter Instinct”
This is the début album from this Italian death/thrash metal band.
Gnosis mixes the death and thrash styles and adds a bit of progressive metal into the mix as well.
The songs merge their thrash and death metal heritages together, taking aspects from both and adding some progressive structures into the gritty mix. There are some classic metal Continue reading “Psycho Scream – Gnosis (Review)”
This is the second album from this Slovakian industrial death/doom band.
Now this is an interesting release.
0N0 combine the industrial, death metal and doom genres together, creating an album that has aspects of all weaved into its genes.
How to classify this? Well, extreme metal is the easy cop out, and as these things don’t ultimately matter that much, I suppose that will do. Industrial death/doom is more specific, of course, but there we are.
Think of the something like Continue reading “0N0 – Reconstruction and Synthesis (Review)”
Druids are a doom/sludge metal band from the US and this is their latest album.
Druids take elements of modern bands like Mastodon and Behold! The Monolith and infuse them with an earlier style of doom and blues, as produced by bands like Earth and Black Sabbath.
There’s a quality level of musicianship on Cycles of Mobeum, and this Continue reading “Druids – Cycles of Mobeum (Review)”
Inculcator is a one-man UK black metal project. This is his début album.
With roots firmly growing out of the distant 80s, this is black metal with thrash influences. Or thrash metal with blackened influences. Who cares; turn up the volume, press play and revel in the ridiculously OTT 80s nature of this thoroughly endearing release.
The recording has a wonderfully cosmic edge, surely influenced by Continue reading “Inculcator – Void Abecedary (Review)”
This is the second album from this Swiss death metal band.
This is 34 minutes of modern death metal that effectively combines speed and groove.
Cannibal Corpse-esque riffs mix with elements of deathcore and bands like The Kennedy Veil and Origin, as well as sprinklings of thrash metal here and there. The resultant music sounds like none of the above bands too much, although you can hear where their influences come from. That the band can clearly acknowledge Continue reading “Omnicide – Constants and Variables (Review)”
Wonderbox Metal 