Myteri are a crust/punk band from Sweden and this is their debut album.
Myteri combine crust and punk influences into 27 minutes of roiling hardcore, recalling a mix of Poison Idea, Fredag Den 13:e and Martyrdöd.
With a very unassuming cover, along with the brief intro track, this seems to Continue reading “Myteri – Myteri (Review)”
This is a split between two Canadian grindcore bands – Existench and Deboned.
First up we have Existench, with just under 7 minutes of intensity.
This is old-school grind that takes no prisoners and just wants to rampage. With punk intent and hardcore ferocity, Existench rage through these short songs with the assured confidence of a predator that knows its kill is near. Continue reading “Existench/Deboned – Split (Review)”
This is the second album from US metalcore band Forty Winters.
This is metalcore in its original, hard-as-nails metallic hardcore incarnation, before the advent of sing-along choruses and radio-friendly unit shifters. Forty Winters mean business, and they’re here to stomp all over your breakfast.
This is angry music for angry people doing angry things. If you get off on bands like Hatebreed, Himsa, Thy Art Is Murder, Suicide Silence, Walls of Jericho, Darkest Hour and the like, then this should be Continue reading “Forty Winters – Rotting Empire (Review)”
Dead Ficus are a Metal band from France and this is their debut album.
Dead Ficus play a form of melodic metal/rock that features harsh vocals and some nice keyboard accompaniment.
The singer has quite a nasty bark to him, which juxtaposes nicely against the music which is melodic and atmospheric. I was actually expecting clean vocals from this band, for some reason, so I like his voice all the more for Continue reading “Dead Ficus – Rise or Fall (Review)”
Great Reversals are a US hardcore band and this is their debut album.
After an impressively striking EP, Natural Burial, I was pleased that Great Reversals had returned with their first full-length.
Great Reversals play heavyweight hardcore that has a distinct 90s feel. This is blended with a touch of metal and a few post-hardcore elements here and there. Continue reading “Great Reversals – Mere Mortals (Review)”
Junk Fuck Militia are a Polish grindcore band. This is their latest album.
Junk Fuck Militia play grindcore with lashings of hardcore, powerviolence and sludge. This means that the songs play with different speeds, moods and textures according to the desires of the band.
Even though the average song length is about a minute or so, due to the aforementioned stylistic influences you never quite know Continue reading “Junk Fuck Militia – Greatest Hits (Review)”
Remote are a French hardcore band and this is their second album.
You’ve gotta love dark, violent music that creates oppressive, negative atmospheres. Yes? Oh come on, of course you do.
Combing chaotic hardcore, crushing sludge, dark metal and inventive post-hardcore, Remote present us with 33 minutes of angst-ridden darkness that aims to cause damage. Continue reading “Remote – Resilient (Review)”
Black Mass 
Pervertor are a Finnish black metal band and this is their debut album.
This is filthy, fast and furious black metal with crust and punk influences. It’s the kind of thing you might expect to come from the black metal underground, appealing to fans of the likes of Impaled Nazarene, Watchmaker and Black Witchery. Phanerosis sees the band carrying on the tradition of short, ugly songs that want to rape and kill you just for fun.
Rooted firmly in the oldest of old schools, Black Mass Pervertor Continue reading “Black Mass Pervertor – Phanerosis (Review)”
Jinjer are a metal band from the Ukraine, and this is their second album.
King of Everything mixes metalcore, hardcore, thrash metal, groove metal, melodic death metal and djent…Okay, that’s a lot of sub-genres. Let’s just say they cover a lot of bases.
That’s putting it too simply, though; in reality, Jinjer have managed to produce a complex and diverse album that has a whole lot more going on than you might expect for a band that’s labelled Continue reading “Jinjer – King of Everything (Review)”
This is the debut album from The Sound That Ends Creation, a one-man grindcore project from the US.
This is grindcore with a strong technical aspect that takes inspiration from many sub-genres in addition to its own, including elements of hardcore, sludge, mathcore, death metal and black metal. This, though, doesn’t really prepare you for what happens when you listen to We Are the Burden.
With 10 songs in 21 minutes, this is Continue reading “The Sound That Ends Creation – We Are the Burden (Review)”
Wonderbox Metal 