My Silent Wake are a doom metal band from the UK and this is their tenth album.
I haven’t managed to catch up with My Silent Wake since their 2015 album Damnatio Memoriae, which is a shame as every time I listen to this band I’m reminded just how good they are. Continue reading “My Silent Wake – There Was Death (Review)”
This is the debut album from Pissboiler, a Swedish doom band.
With a name like Pissboiler, an indecipherable logo, and an album cover that’s terrifying and disturbing, you know this isn’t going to be an easy listen before you ever press play. Continue reading “Pissboiler – In the Lair of Lucid Nightmares (Review)”
This is the fourth album from Swedish progressive/post-metal band Agrimonia.
Agrimonia’s music combines melodic, progressive, and post-metal elements, with doom, black metal, and hardcore influences. This results in long, involving songs that effectively balance both quality and quantity. Continue reading “Agrimonia – Awaken (Review)”
Faal are a blackened doom band from the Netherlands and this is their third album.
Mixing elements of black and post-metal into their dark, atmospheric doom, this is grim, unfriendly music, but doesn’t lack in appeal because of this. Continue reading “Faal – Desolate Grief (Review)”
Spectral Lore and Jute Gyte are both one-man black metal bands, the former is from Greece while the latter is from the US.
Although both of these acts offer up black metal that contains psychedelic, progressive, experimental, and atmospheric aspects, they both Continue reading “Spectral Lore/Jute Gyte – Helian – Split (Review)”
This is the third album from Portuguese doom/post-metal band Sinistro.
Slow moving and atmospheric, this album contains almost a full hour of ambient doom and post-metal. Continue reading “Sinistro – Sangue Cássia (Review)”
Monolithe are a doom band from France and this is their seventh album.
I’m a big fan of Monolithe’s increasingly forward-thinking doom metal, (see here, here, here, and here), so I was excited to hear their newest opus. Continue reading “Monolithe – Nebula Septem (Review)”
Nekhen is an Italian blackened doom solo project and this is his second release.
This is a follow up to 2015’s Entering the Gate of the Western Horizon, which was an enjoyable example of present day music inspired by Egyptian art and culture.
Regarding this latest release, I’ll let Continue reading “Nekhen – Akhet (Review)”
This is the latest EP from US doom band Enhailer.
Containing just one 18-minute track this EP straddles genres and styles, but ultimately falls under the doom heading most of all. Continue reading “Enhailer – Dumb Enough to Care (Review)”
2017 was an amazing year for music, with so many top-notch albums seeing the light of day. I pretty much say this every year, of course, but that doesn’t seem to stop it being true. With this in mind, the 2017 list was especially hard to put together, and I agonised over this one more than I did for any of the lists in previous years.
As is traditional, I also want to mention some releases by bands that could easily have made it onto the list, and should have by many rights, if only I could have somehow managed to fit them all in –
Abhorrent Decimation, Amenra, Apes, Artificial Brain, Au-Dessus,
Celeste, Desecrate the Faith, Earth Rot, Earth Witch, Falls of Rauros,
Full of Hell, Gnaw, Gutslit, Helpless, Henry Kane,
Hundred Suns, Ingurgitating Oblivion, Into Orbit, John Frum, Karne,
Kval, Livid, Morbid Angel, Primitive Man, Craven Idol,
Slow, Soulskinner, The Kennedy Veil, Ulsect, Wildspeaker.
I urge you to check out all of the above releases, in addition to the ones in the actual list below. I could probably keep adding more bands you should give a listen to, but a line has to be drawn somewhere, I suppose.
So, without further ado, let’s get right down to it… Continue reading “Wonderbox Metal End of Year List – Best Metal of 2017”
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