This is the latest release from Swedish death metal band Demonical.
Although certainly not my first love, and I don’t usually seek them out, I do enjoy a good live album. I really like Demonical, so knew I wanted to check out this live recording as soon as I saw it. Bursting at the seams with 62 minutes of chainsaw-driven death metal, there’s a lot of meaty music here to get your teeth stuck into. Continue reading “Demonical – Victorious Death – Live in Latin America (Review)”
This is the third album from Finnish death metallers Concrete Winds.
Concrete Winds is a 25-minute monstrosity that bleeds violence from every infected pore. It’s abrasive and hateful, yet carries with it more depth and substance than you’d probably expect; Concrete Winds seem to know what they’re doing. Continue reading “Concrete Winds – Concrete Winds (Review)”
To the Grave are an Australian deathcore band and this is their third album.
Quickly following on from 2023’s Director’s Cuts, To the Grave are back with the 35-minute Everyone’s a Murderer. I wasn’t expecting to hear more new material so soon from them, but I’m not complaining. Continue reading “To the Grave – Everyone’s a Murderer (Review)”
This is the latest EP from Canadian death metallers Gutvoid.
This is 4-track EP follows on from Gutvoid’s enjoyable 2022’s Durance of Lightless Horizons. With a duration of 30 minutes there’s plenty of meat on the bones of Breathing Obelisk, so let’s dig in and see what it tastes like. Continue reading “Gutvoid – Breathing Obelisk (Review)”
This is the sixth album from Fleshgod Apocalypse, an Italian death metal band.
Both 2016’s King and 2019’s Veleno were notable records, so it’s with great interest that we turn to the 43 minutes of new music on Opera. Returning after their biggest gap between albums, after challenging adversity, and with a change in lineup since their last album, what does 2024’s Fleshgod Apocalypse have to offer the world at large? Continue reading “Fleshgod Apocalypse – Opera (Review)”
Nile are a US death metal band and this is their tenth album.
It has been a long five years since 2019’s Vile Nilotic Rites, which itself came four years after 2015’s What Should Not Be Unearthed. Suffice to say, Nile albums don’t come along very often, which makes The Underworld Awaits Us All a big deal in death metal circles. Continue reading “Nile – The Underworld Awaits Us All (Review)”
This is the debut EP from Ignobleth, an Italian black/death metal band.
Here’s we have a passionate slab of old-school darkness. Ignobleth play war metal brutality that’s grim and sinister. Voidspawn Sacrifice combines black and death metal – with a slight leaning towards the latter – into 15 enjoyable minutes. Continue reading “Ignobleth – Voidspawn Sacrifice (Review)”
Evilyn are an international death metal band and this is their debut album.
Evilyn play a form of death metal with strong avant-garde/dissonant leanings. Mondostrunken contains 36 minutes of material, showcasing a band that have honed their vision into an atypical beast. Continue reading “Evilyn – Mondestrunken (Review)”
This is the thirteenth album by Dark Tranquillity, a melodic death metal band from Sweden.
I last caught up with Dark Tranquillity on 2016’s very enjoyable Atoma, so really wanted to check out Endtime Signals. With 14 songs and 59 minutes of music, (including the two bonus tracks), there’s a lot of material here. Don’t be put off though, as Endtime Signals is Dark Tranquillity firing on all cylinders. Continue reading “Dark Tranquillity – Endtime Signals (Review)”
Vile Rites are a death metal band from the US and this is their debut album.
Vile Rites contain a member of Mortuous in their ranks, which is enough to get my attention. Senescence offers us 40 minutes of progressive death metal of a high quality. Some bands playing this sort of style get bogged down in the technicality, but for Vile Rites this is just an enabler, not the prime goal of the music. Continue reading “Vile Rites – Senescence (Review)”
Wonderbox Metal 