This is the second album from US black metallers Azathoth’s Dream.
Solitary Forest Necromancy contains 36 minutes of 90s synth-heavy atmospheric black metal. If the classic, atmosphere-rich blackend style is to your taste, then this is for you. Me? I really like this. Continue reading “Azathoth’s Dream – Solitary Forest Necromancy (Review)”
This is the third album from French solo experimental act Mütterlein.
Following on from 2021’s split with Limbes and then debut album Bring Down the Flags, we now have the 40-minute Amidst the Flames, May Our Organs Resound. Continue reading “Mütterlein – Amidst the Flames, May Our Organs Resound (Review)”
This is the fifth album from Belgian black metallers Cult of Erinyes.
Since last catching up with Cult of Erinyes on 2016’s Transcendence and 2017’s Tiberivs, the band have changed vocalist, (now Déhà from Acathexis, C.O.A.G., Silver Knife, Slow, We All Die (Laughing), Merda Mundi, and countless others), and released another EP and album, both of which I unfortunately missed. Which brings us to the 44 minutes of material on Metempsychosis. Continue reading “Cult of Erinyes – Metempsychosis (Review)”
Doubtsower is a one-man Welsh doom metal band and this is his third album.
A new Doubtsower record is always well-received. 2021’s Asphyxiation of a Seasick Soul hit hard, as did 2022’s The Endless Shadow of Despicable Power, but a little less so than its predecessor. Now comes Nothing Reduced to Everything, providing us with a new immersive journey to experience. Continue reading “Doubtsower – Nothing Reduced to Everything (Review)”
This is the debut album from French avant-garde black metal band Eitrin.
And what do we have here, appearing out of nowhere in a cloud of poisonous fumes? We’re told the following – “The specially commissioned debut album from EITRIN brings together the talents of Vindsval (BLUT AUS NORD), Marion (MÜTTERLEIN) and Dehn Sora (THROANE) to celebrate 20 years of Debemur Morti Productions in fittingly defiant style.” Continue reading “Eitrin – Eitrin (Review)”
Fvnerals are a German doom band and this is their third album.
Bringing together doom, shoegaze, and dark ambient into a 40-minute cataclysmic declaration, Let the Earth Be Silent is the end times given aural form. Continue reading “Fvnerals – Let the Earth Be Silent (Review)”
Olhava are a Russian ambient/post-black metal band and this is their fifth album.
2021’s Frozen Bloom was an enjoyable blend of atmospheric post-blackened intensity and shimmering dark ambience. Have Olhava managed to recreate their dark magic once again? Continue reading “Olhava – Reborn (Review)”
Locrian are a US experimental drone band and this is their seventh album.
It has been seven long years since 2015’s Infinite Dissolution, but Locrian have finally resurfaced to bring us a tale of apocalyptic decline and environmental decay. New Catastrophism is a different record to its predecessor though. It contains 36 minutes of new material divided into four tracks, and showcases Locrian at their sparsest, yet also their most immersive and atmospheric. Continue reading “Locrian – New Catastrophism (Review)”
This is the second album by Ukrainian doom band Nonsun.
Blood & Spirit is the follow up to 2016’s colossal Black Snow Desert. On their new record Nonsun have crafted an absorbing 55-minute collection of music, enticing the listener with a soundscape of doom, drone, sludge, post-metal, and dark ambient combined. Continue reading “Nonsun – Blood & Spirit (Review)”
This is the debut album from An Evening Redness, a drone/doom band.
An Evening Redness gives us a 55-minute journey into doom, dark ambient, and drone, one that uses worldbuilding to effectively craft entire vistas of bleak, sparse environments. Continue reading “An Evening Redness – An Evening Redness (Review)”
Wonderbox Metal 