This is the debut album from US hardcore band Capra.
Capra play a hybrid style of metallic hardcore and punk. It’s a style that you don’t hear too much these days, and they play it damn well. It’s a style that makes me very nostalgic, yet at the same time it also sounds vibrant and fresh due to the band’s inherent enthusiasm and skill. Continue reading “Capra – In Transmission (Review)”
Lacittàdolente are an Italian-based mathcore band, and this is their debut album.
Mathcore, hardcore, and metalcore collide across 27 minutes of music. Salespeople put me in mind of the past quite strongly, while also keeping a firm eye on the here and now. Continue reading “Lacittàdolente – Salespeople (Review)”
This is the debut album from US hardcore band Entry.
Despite being billed as an album, there’s only 15 minutes of material here, so you may guess that this is filled with high energy punk aggression and hardcore ferocity. If so, you’d be right, and it’s a damn good ride too. Continue reading “Entry – Detriment (Review)”
Bait are a German blackened hardcore band and this is their debut album.
Featuring a member of Der Weg Einer Freiheit, Bait play post-black metal with hardcore bite. Offering 45 minutes of aggressive darkness, Revelation of the Pure is a worthy listen. Continue reading “Bait – Revelation of the Pure (Review)”
Wear Your Wounds are a post-rock band from the US and this is their third album.
Featuring current/ex-members of Converge, The Red Chord, Cave In, Hatebreed, and Trap Them, don’t let these band names fool you – this might not be what you are expecting. Rust on the Gates of Heaven is not a hardcore supergroup. Rather, it’s a 53-minute journey into reflective post-rock waters, and has more in common with bands like Crippled Black Phoenix, Mogwai, Angels of Light, Russian Circles, and, yes, hints of Cave In, than any of the other bands listed. Continue reading “Wear Your Wounds – Rust on the Gates of Heaven (Review)”
Glassing are a blackened hardcore band from the US and this is their second album.
I do so like these hybrid styles that are almost impossible to lump into a single genre, or to easily categorise. This particular release mixes hardcore, black metal, and post-metal into something quite personable, and it’s a very effective and enjoyable listen because of this. Continue reading “Glassing – Spotted Horse (Review)”
Attan are from Norway and play Hardcore/Post-Hardcore. This is their debut album.
To say that there has been a weight of expectation riding on this is an understatement, for me at least. Why? Because I absolutely love Attan’s 2015 debut EP From Nothing. After then seeing the band live at the following year’s Damnation Festival, and even Continue reading “Attan – End of (Review)”
KEN Mode are a noise rock/hardcore band from Canada and this is their seventh album.
Loved is 35 minutes of violent mood and vicious emotion. Primarily mixing together metal, hardcore, and noise rock, the album also contains elements of extremity that come from black and death metal backgrounds, as well as moments of industrial and experimental forays. Saxophone is used relatively frequently. Continue reading “KEN Mode – Loved (Review)”
Birds in Row are a French post-hardcore band and this is their second album.
Birds in Row play a form of post-hardcore that blends abrasive hardcore and punk influences, with angular noise/post-rock and experimental elements to form music that’s highly textured and filled with strong emotions. Continue reading “Birds in Row – We Already Lost the World (Review)”
This is the latest EP from Converge, a legendary hardcore band.
Apparently recorded during the sessions for The Dusk in Us, this EP lasts a mere 7 minutes and spends its time ferociously ripping off faces left, right, and basically every-damn-where. Continue reading “Converge – Beautiful Ruin (Review)”
Wonderbox Metal 