This is nasty, raw and nihilistic music that wants nothing more than to terrify, scar and demoralise the listener. With a mix of Nails, Anaal Nathrakh, Hooded Menace, Aborted, Trap Them, Extreme Noise Terror, Primitive Man, Zao, and many others in their sound, Sunlight’s Bane have concocted an identity that’s very much their own and quite a hard one to accurately classify, if you care about such things. Continue reading “Sunlight’s Bane – The Blackest Volume: Like All the Earth Was Buried (Review)”
The music is dark and sinister, with eerie melodies used as part of the band’s blackened approach. These are usually deposited on top of darker, blackened riffs that are ably backed up by the percussive section. Continue reading “Urskog – Urskog (Review)”
Due to my love of their first EP Permanence, as well as all things Primitive Man and Clinging to the Trees of a Forest Fire, (who they share members with), this release has been highly anticipated by yours truly.
On Permanence Vermin Womb channelled the destructive essence Continue reading “Vermin Womb – Decline (Review)”
Kalloused have a powerfully heavy sound that they still manage to insert nuance into when the need arises. This release features a plethora of textured riffs that manage to show a certain degree of subtlety and finesse even when they’re smashing your skull in.
The band have a black metal element Continue reading “Kalloused – Damn You Believer (Review)”
Sadhus “The Smoking Community” start us of with their track, Abduction, which is almost six minutes of heaviosity.
This is slow, lazy and heavy, just as sludgy doom should be. It gives a strong impression of the band on stage, heads down, peeling off heavy riffs with stoned concentration and Continue reading “Sadhus “The Smoking Community”/Agnes Vein – Split (Review)”
The intro track Our Fields Are Burning is slow and meandering, and reminds me of Abandon. The singer barks over the first part of it and I like his voice; aggressive, legible and passionate.
June 2, 1910 is the first song proper and also the longest at just under 10 minutes. I’m once again reminded of Abandon, and their combination of Doom and Sludge with a dose of Crust is a path that Old Thunder also adhere to.
Having said that, Old Thunder also have faster sections that put me more in mind of a band like Rorcal with their Blackened Sludge delivery.
The first half of Sinking sounds like it’s stalking prey through a dark wilderness and once more I feel the need to comment on his barking voice; it’s very expressive and sounds really, really good. Nice work that man.
Rainroom has a strong despondent melodic streak running through it that focuses more on the Atmospheric Doom side of the equation, as well as some My Dying Bride/Katatonia influences.
The final track Serpent Sovereign is all about the dirrrggggeeeee.
My favourite parts of this release are the bits where the music slows, the guitars lock into a Doomy repetitive riff and the down-beat melodics come into play.
There’s also the odd moment of Post-Metal thrown into the mix, and even some clean vocals added in to spice things up.
This is a surprisingly diverse mix of Doom-esque sub-genres. All performed well and all, for the most part, sounding naturally mixed and not just cut and pasted together.
Slings & Arrows falls short of being absolutely phenomenal only very marginally. The first reason is the recording; there’s nothing wrong with it as such but I can’t help but feel the songs would benefit from a slightly fuller, warmer sound. The second is the songwriting; although very accomplished, especially for a first release, I feel it could be tightened up a little bit here and there.
Really though, these are very minor quibbles as this is a top quality début. On the basis of Slings & Arrows I fully expect that the next release from Old Thunder will be totally jaw-dropping.
Be sure to check this out.
This is music that’s covered in filth and reeks of the underground; Black Metal that’s so impure it’s slowly mutating into a hideous Sludge Metal behemoth that threatens to corrupt and taint everything around it.
The band are absolutely focused on their misanthropic mission and are honed and coiled to a lethal point.
The great thing about this album is the songs themselves; there is a great sense of Doom’n’roll to these tracks that are propelled forwards with a Punk/Crust swagger that builds on their Black Metal roots and persists through the Sludgy mire they have created for themselves.
Put simply; the songs bleed negative emotion through every sickened pore.
The poisonous, bile streaked vocal shrieks are representative of dire inner struggles. They seem to reach out of the songs and force you to pay attention, all the while though you’re distracted by the grim musical bonanza that is spreading around you.
The guitars ply their Blackened trade with consummate ease and the entire album is just flowing with feelings artfully plucked, brutalised and abused by these purveyors of filth.
Does this sound good to you? Does it? Well it should. Wolvhammer have created a wonderfully dank album that I heartily recommend to all.
This is a stunning album.
Favourite Track: Death Division. It’s just so damn good.
Wolvhammer offer us a track first called Slaves to the Grime.
This is 6 minutes of Blackened Sludge hate. The band instantly sound confident and quickly lock into a heavy groove.
Vocals are spat out with venom and belligerent riffs lead the way before being replaced with apocalyptic melodies and downbeat pounding. Mid-song the tempo picks up but keeps the same feelings generated so far.
A most enjoyable song and a worthy contribution to the split.
Krieg are up next with Eternal Victim.
This is shorter than the previous track at half the length; only 3 minutes. Krieg are a veritable institution in their own right, and their track is no disappointment. It’s dark and powered by Blackness. The riffs are very good and the entire song seems over far too quickly.
A short release but definitely worth a listen; another definite split to add to your collection.