Deitus – Irreversible (Review)

Deitus - IrreversibleThis is the third album from UK black metallers Deitus.

Irreversible contains 39 of black metal that traverses both the traditional and modern realms of the style. Upon first listen it’s quickly apparent that Deitus are no generic act, and subsequent spins only cements the view that they are definitely operating on a higher plane of existence than many of their so-called peers. Continue reading “Deitus – Irreversible (Review)”

Calligram – Position | Momentum (Review)

Calligram - Position MomentumCalligram are a UK-based black metal band and this is their latest album.

Following on from 2020’s very well-received The Eye Is the First Circle, Calligram have now returned with 40 minutes of new material on Position | Momentum. Continue reading “Calligram – Position | Momentum (Review)”

Servant – Aetas Ascensus (Review)

Servant - Aetas AscensusThis is the second album from German black metal band Servant.

Aetas Ascensus contains 48 minutes of black metal played in the old-school Scandinavian way. Competent in both the melodic and symphonic styles, Servant’s music is effortless to enjoy if you’re a fan of the cold blackened arts. Continue reading “Servant – Aetas Ascensus (Review)”

Uamh – At the Edge of the Loch (Review)

Uamh - At the Edge of the LochThis is the debut album from, Uamh, a solo black metal band from the US.

At the Edge of the Loch is a 42-minute atmospheric black metal album that has a Celtic influence. Raw, but not overly so, the entire experience of this album is one that has quality of execution woven deep into its makeup. Continue reading “Uamh – At the Edge of the Loch (Review)”

Fen – Monuments to Absence (Review)

Fen - Monuments to AbsenceFen are a UK black metal band and this is their seventh album.

I last caught up with Fen on their 2017 album Winter. Apparently they’ve had another album since then, (The Dead Light), which I somehow managed to completely miss, which is a shame. Regardless, it’s now time for Monuments to Absence and its 67 minutes of music to absorb. Continue reading “Fen – Monuments to Absence (Review)”

Serpent of Old – Ensemble Under the Dark Sun (Review)

Serpent of Old - Ensemble Under the Dark SunThis is the debut album from Serpent of Old, a death metal band from Turkey.

Featuring the vocalist of Decimation, (also ex-Abolish), Ensemble Under the Dark Sun is a 42-minute monster of extreme metal. Mixing together black metal and doom, with elements of the progressive, dissonant, and atmospheric strains of death metal, Ensemble Under the Dark Sun is shockingly accomplished. Continue reading “Serpent of Old – Ensemble Under the Dark Sun (Review)”

Supayniyux – Genocidio Infernal (Review)

Supayniyux - Genocidio InfernalThis is the debut album from Swiss black metallers Supayniyux.

Genocidio Infernal contains 37 minutes of bestial black metal. It’s an ugly, noisy hybrid of black and death metal, one that revels in its blasphemy and hatred as its claws carve flesh and its teeth chew through bone. Continue reading “Supayniyux – Genocidio Infernal (Review)”

Wilt – Huginn (Review)

Wilt - HuginnWilt are a Canadian black metal band and this is their third album.

I’ve thoroughly enjoyed Wilt’s past material, (and bought the T-shirt too), so to say that I have been looking forward to Huginn is an understatement. Both 2015’s Moving Monoliths and 2018’s Ruin are exemplars of atmospheric black metal, and the new release Huginn is no exception. Continue reading “Wilt – Huginn (Review)”

Gravefields – Tetragrammaton (Review)

Gravefields - TetragrammatonGravefields are an international death metal band and this is their third album, (second with this name).

I really enjoyed 2019’s Embrace the Void, so was pleased to see Tetragrammaton appear. Containing 49 minutes of new extreme metal material, this is a record that many a fan of death/black metal would do well to pay attention to. Continue reading “Gravefields – Tetragrammaton (Review)”

None – Inevitable (Review)

None - InevitableNone are a black metal band from the US and this is their fourth album.

If you’re unfamiliar with None, where have you been? Releasing three stellar records in a row, (2017’s None, 2018’s Life Has Gone on Long Enough, and 2019’s Damp Chill of Life), None have now finally returned with their longest album yet, the 56-minute Inevitable. Continue reading “None – Inevitable (Review)”