Triumpher are a Greek heavy metal band and this is their third album.
Piercing the Heart of the World brings 45 minutes of epic heavy metal into existence. Triumpher are a revelation in steel, a colossal fist in the face of mediocrity, and an exemplar of metallic might ascendant. Now, after that hyperbole, (well-deserved), let’s Continue reading “Triumpher – Piercing the Heart of the World (Review)”
Aldheorte are a black metal band from the US and this is their second album.
The Wild Divine is a 37-minute dose of classic black metal darkness. Aldheorte play their material with icy aggression and despondent atmospheres. If you’re a fan of bands from the 90s era, then Continue reading “Aldheorte – The Wild Divine (Review)”
This is the third album from Finnish black metallers Qwälen.
Veri Virtaa Edelleen brings us 45 minutes of untamed ferocity. Qwälen channel their inner darkness via eight tracks of uncompromising black metal. It’s harsh and malevolent, fuelled by the burning coals of Continue reading “Qwälen – Veri Virtaa Edelleen (Review)”
This is the second album from Irish black/death metallers Coscradh.
Carving the Causeway to the Otherworld is the 44-minute follow up to 2022’s Nahanagan Stadial, and unleashes a monster of black/death metal horror on the world. Coscradh are fierce purveyors of quality extremity, and their new record is Continue reading “Coscradh – Carving the Causeway to the Otherworld (Review)”
This is the third album from Greek post-metal band Unverkalt.
2023’s A Lump of Death: A Chaos of Dead Lovers was as a surprise hit in this household, so seeing Héréditaire appear on the mighty Season of Mist label was most welcome. This is not the same Unverkalt we encountered previously though, not completely; this is something darker. Continue reading “Unverkalt – Héréditaire (Review)”
Olhava are a Russian atmospheric/post-black metal band and this is their seventh album.
Olhava have built up an eviable body of work, including 2021’s Frozen Bloom, 2022’s Reborn and 2024’s Sacrifice. This brings us nicely to the 78-minute Memorial, a record that takes us on another gargantuan excursion into post-blackened waters. Continue reading “Olhava – Memorial (Review)”
This is the second album from UK post-black metal band Unmother.
State Dependent Memory contains 38 minutes of modern/post-black metal, which includes a cover of a band called ΟΔΟΣ 55, here transmuted into something Continue reading “Unmother – State Dependent Memory (Review)”
This is the fourth album from Norwegian solo black metal act Misotheist.
Brought to us by the artist behind Diabolus, Mecum Semperterne!, Enevelde, and Kråbøl, De Pinte contains 41 minutes of violent otherworldly black metal. Misotheist carve a space into black metal’s crowded landscape that belongs purely to De Pinte. This is an album that Continue reading “Misotheist – De Pinte (Review)”
Diabolus, Mecum Semperterne! are a black metal band from Norway and this is their debut album.
Brought to us be current/ex-members of bands such as Enevelde, Kråbøl, Lethe, Manes, Misotheist, Parfaxitas, Vemod, and Whoredom Rife, there’s a lot of experience that sits behind this project. Diabolus, Mecum Semperterne! is a 44-minute black metal incursion that will Continue reading “Diabolus, Mecum Semperterne! – Diabolus, Mecum Semperterne! (Review)”
This is the third album from international, (Greece/US), blackened death metallers Phasma.
Phasma play an interesting and intense mix of black and death metal, cut with elements of doom and deathcore. Purgatory contains 26 minutes of dark violence, and it’s Continue reading “Phasma – Purgatory (Review)”
Wonderbox Metal 