Baume is a one-man post-black metal band from France, and this is his latest release.
I really liked 2018’s Les Années Décapitées, so Un Calme Entre les Tempêtes is very well-received. Containing just three tracks, we get 28 minutes of material to absorb us. Un Calme Entre les Tempêtes is more experimental in flavour than Les Années Décapitées, but suffers no significant deficit in the quality department because of this. Continue reading “Baume – Un Calme Entre les Tempêtes (Review)”
Enevelde is a one man Norwegian black metal band, and this is his debut album.
Containing 36 minutes divided up into four tracks, this is an album of atmospherically-enhanced melodic aggression, filled with emotive delivery and compelling songwriting. Continue reading “Enevelde – Enevelde (Review)”
Mazikeen are an Australian black metal band. This is their debut album.
There’s 78 minutes of material here, spread out over 12 tracks. The main album consists of the first eight songs, with the final four being bonus covers of Mayhem, Dissection, Dimmu Borgir, and Darkthrone songs. Continue reading “Mazikeen – The Solace of Death (Review)”
From the Vastland is an Iranian/Norwegian black metal band and this is their sixth album.
We’re familiar with From the Vastland’s work – both 2016’s Chamrosh and 2018’s Daevayasna were enjoyable examples of classic blackened fury. The Haft Khan provides us with another seven songs in a similar vein; 46 minutes of new material to enjoy. Continue reading “From the Vastland – The Haft Khan (Review)”
Árstíðir Lífsins are an international, (Germany/Iceland), black metal band, and this is their fifth album.
Here we have 74 minutes of pagan black metal, incorporating elements of the atmospheric, folk, and ambient styles. Continue reading “Árstíðir Lífsins – Saga á tveim tungum II: Eigi fjǫll né firðir (Review)”
This is the third album from US black metallers Feral Light.
Feral Light play a mix of black metal and post-metal, with touches of doom and hard rock. Life Vapor offers up 39 minutes of easily-digested blackness. Continue reading “Feral Light – Life Vapor (Review)”
Bait are a German blackened hardcore band and this is their debut album.
Featuring a member of Der Weg Einer Freiheit, Bait play post-black metal with hardcore bite. Offering 45 minutes of aggressive darkness, Revelation of the Pure is a worthy listen. Continue reading “Bait – Revelation of the Pure (Review)”
Cosmic Putrefaction is a one-man death metal band from Italy.
Here we have 34 minutes of progressive death metal, which takes us on a cosmic journey through the outer regions, taking in doom and black metal sights along the way. Continue reading “Cosmic Putrefaction – The Horizons Towards Which Splendour Withers (Review)”
Ashtar are from Switzerland and play blackened doom. This is their second album.
It’s been five years since we were graced with Ashtar’s presence; Ilmasaari was a very notable and satisfying record, and Kaijuka even more so. Continue reading “Ashtar – Kaikuja (Review)”
Afsky is a one-man Danish black metal band and this is his second album.
Ofte Jeg Drømmer Mig Død is the follow up to the very enjoyable Sorg from 2018, and contains 46 minutes of new material. Mixing small parts of folk and doom into a traditional black metal approach, this is a melancholic and emotive take on the blackened style. Continue reading “Afsky – Ofte Jeg Drømmer Mig Død (Review)”
