Cardinals Folly are a Finnish doom metal band and this is their fifth album.
I have a definite soft spot for Cardinals Folly, and I’d recommend the likes of Our Cult Continues! and Deranged Pagan Sons to anyone who enjoys charismatic doom metal with larger-than-life vocals. Defying the Righteous Way is the band’s latest chapter, and it’s damn good one, worthy of inclusion in the Cardinals Folly saga. Continue reading “Cardinals Folly – Defying the Righteous Way (Review)”
So what do we have for you this month then? February had a range of decent metal release to devour, so today I present to you a small selection of them to savour. Continue reading “Monthly Overview – the Best of February 2020”
Voidfire are a black metal band from Poland and this is their debut album.
Voidfire play melodic black metal, doing so in an endearing and infectious way. This is music that has a heart of darkness, rather than a shiny, upbeat one. Some melodic metal is so smothered in ostentatious bright leads it can be off-putting, but Continue reading “Voidfire – Ogień Pustki (Review)”
This is the third album from French post-black metallers Regarde les Hommes Tomber.
Regarde les Hommes Tomber play post-black metal that takes a forward-thinking approach to its content. Blending in elements of sludge and minor aspects of death metal, the band’s music is an atmospheric and modern take on blackened art. Continue reading “Regarde les Hommes Tomber – Ascension (Review)”
Thokkian Vortex are a black metal band from the US and this is their second album.
Featuring an ex-member of Ancient, Thokkian Vortex deliver 45 minutes of second wave-inspired black metal. Continue reading “Thokkian Vortex – Thy Throne Is Mine (Review)”
Fluisteraars are a Black Metal band from the Netherlands and this is their third album.
2015’s Luwte was an engaging affair, full of icy atmospheric black metal delivered with character and much promise for the future. That future is apparently now. Continue reading “Fluisteraars – Bloem (Review)”
This is the second album from Belgian black metallers Ars Veneficium.
I really liked 2016’s The Reign of the Infernal King; the band’s fiery black metal left lasting marks. A new album feels overdue, so it’s with great anticipation that we turn to Usurpation of the Seven and its 38 minutes of dark blackened mayhem. Continue reading “Ars Veneficium – Usurpation of the Seven (Review)”
Ilienses Tree are an Italian death/doom metal band and this is their debut album.
After really enjoying 2017’s Edda, it’s good to now have a full length from Ilienses Tree. Continue reading “Ilienses Tree – Till Autumn Comes (Review)”
This is the second album from Xenobiotic, an Australian deathcore/death metal band.
2018’s Prometheus was a deathcore highlight for me, so I was looking forward to what they had in store for us next. I was not expecting just how good Mordrake is though. The band have progressed, and progressed well. Continue reading “Xenobiotic – Mordrake (Review)”
Crown of Asteria is a one-woman black metal band from the US, and Nodus Tollens in a one-man black metal band, also from the US.
The split opens with the single 19-minute track Claw of the Firemaker by Crown of Asteria. The style is nature-influenced atmospheric black metal with elements of doom, folk, and ambient mixed in. It’s raw and unpolished, but this simply adds to the music’s charms. Continue reading “Crown of Asteria/Nodus Tollens – Split (Review)”
Wonderbox Metal 