This is the second album from UK doom metal solo act Arð.
I thoroughly enjoyed seeing Arð last year, so the opportunity to bask in the luxurious doom majesty of this new album was irresistible. Brought to us by a member of Winterfylleth, Untouched by Fire is a richly rewarding 43-minute experience to get lost in. Continue reading “Arð – Untouched by Fire (Review)”
This is the sixth album from US grindcore band Full of Hell.
New Full of Hell is always a bit exciting, and this time they have returned with their most colourful album cover yet. What does this mean for the music contained within? Before we get to that, I’ll just link to my previous reviews of 2017’s Trumpeting Ecstasy, 2019’s Weeping Choir, and 2021’s Garden of Burning Apparitions, as all are damn fine albums worthy of your attention. Continue reading “Full of Hell – Coagulated Bliss (Review)”
Coffin Curse are a death metal band from Chile and this is their second album.
The Continuous Nothing is the 43-minute follow up to 2020’s Ceased to Be, and builds upon that album’s solid foundations. Coffin Curse are easy to enjoy if you are a fan of 90s-influenced death metal. Continue reading “Coffin Curse – The Continuous Nothing (Review)”
This is the 13th album from the US death metallers Deicide.
After 2018’s Overtures of Blasphemy the mighty Deicide now return with 39 minutes of new material on Banished by Sin. It may have been some time since Overtures of Blasphemy, but I haven’t been disappointed by this new one. Continue reading “Deicide – Banished by Sin (Review)”
Black Tusk are a sludge/metal /hardcore band from the US and this is their sixth album.
Following on from 2018’s TCBT comes The Way Forward, which gives us 36 minutes of material. With a new lineup comes an expanded sound, with now a second guitarist and an extra vocalist, (which brings the total to an impressive four individuals all contributing vocals). Continue reading “Black Tusk – The Way Forward (Review)”
Necrot are a death metal band from the US and this is their third album.
2020’s Mortal was an enjoyable slab of old-school death metal carnage, and now Necrot are back to reap more limbs with the 40-minute Lifeless Birth. It’s a step up a level for Necrot, one you must listen to if you’re a fan of bands such as Gatecreeper, Bolt Thrower, Undeath, Incantation, Blood Red Throne, Autopsy, Grave, Tomb Mold, Outer Heaven, Genocide Pact, etc. Continue reading “Necrot – Lifeless Birth (Review)”
Big | Brave are a doom/drone band from Canada and this is their seventh album.
New Big | Brave, so soon after last year’s Nature Morte? I’ll take it! If you’re unfamiliar with this remarkable band, check out that record immediately, (and 2017’s Ardor), and then dive into the 40 minutes of material we get on A Chaos of Flowers. Continue reading “Big | Brave – A Chaos of Flowers (Review)”
I’ve been listening to both Marduk and Origin for a long, long, long time, but have never seen either of them. Imagine my surprise and excitement then when I saw this show appear on my radar. Scrumptious stuff indeed. Continue reading “Marduk/Origin/Doodswens – Club Academy, Manchester – 16/04/24 (Live Review)”
This is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.
Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”
This is the sixth album from Polish black metallers Blaze of Perdition.
I enjoyed 2015’s Near Death Revelations, 2017’s Conscious Darkness, and 2020’s The Harrowing of Hearts, so was pleased when Upharsin appeared. Across its 41-minute duration Blaze of Perdition create a withering storm of hostile black metal and ceremonial atmosphere. Continue reading “Blaze of Perdition – Upharsin (Review)”
Wonderbox Metal 