Interview with Beseech

Beseech Logo

With their latest album, My Darkness, Darkness, Beseech have made a triumphant return to the music scene after an absence of over a decade. Well, I’m certainly glad they’ve returned, as in many ways their new album is their strongest yet. I caught up with singer/songwriter Klas Bohlin who brought me up to speed with all things Beseech…

For those who are unfamiliar with your band – introduce yourself!

Beseech is an gothic metal band from Sweden, or perhaps a melancholic rock band is a better description these days. We are back after ten years in silence with our brand new and 6th album ”My Darkness, Darkness”, which probably is our most gloomy album ever. So if you are into dark music, not only metal but melancholic music in general, you should probably consider to continue reading…

But the history of Beseech goes way back. We are one of those bands, that from the beginning started as a death/doom metal band in the early 90s, that later on transformed into the gothic genre after some musical experiments using classical instruments like violin, cello and flute, lots of keyboards, but most important, we started to use the characteristic beauty and the beast contrast between the male and female vocals. Even if our musical direction has changed over the years it feels great to be back with an album that we really like ourselves. This time we have managed to find a way back to our roots and the sound on our early albums “Black Emotions” and “Souls Highway”, but with adding a little twist of vintage rock. Continue reading “Interview with Beseech”

Solifvgae – Avenoir (Review)

SolifvgaeThis is the début album from Brazilian Post-Black Metal band Solifvgae.

Solifvgae take the harshness of the core of Black Metal and wrap it up in Post-Metal reflection and exploration, making for an album that spreads itself across two worlds, taking in both aspects in equal measure. It’s almost a band of two parts, as the heavy bits are sharp and concise, while the more progressive/exploratory sections are wandering and expansive.

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Tenth Amendment – Conviction (Review)

Tenth AmendmentThis is the second album from this US Metal band.

Tenth Amendment play modern Metal with groove and aggression. Back in the 90s when this kind of thing was just called either Metal or Hardcore rather than groove Metal or Metalcore, (usually due to how the band looked more than anything else), bands like Pantera, Fear Factory, Machine Head, Merauder, Skinlab and Pro-Pain we all staples of my CD collection, and Tenth Amendment very much remind me of that time.

Coming across as a combination of the aforementioned bands, we get song-based aggression with an industrial undercurrent that leans towards the heavier end of the spectrum. The album is very riff-based and there’s a purity of intent inherent in this kind of approach.

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Interview with Echoes of the Moon

Echoes of the Moon

Entropy is a bit of a monster of an album. Featuring 72 minutes of atmospheric Post-Black Metal that seems to take the listener on a journey, it’s a release that keeps getting better the more time you spend with it. I got in touch with the brains behind the music to get a bit of background information; music like this should not be overlooked, so if you’ve chanced upon this article at all, make sure you check out the album.

For those who are unfamiliar with your band – introduce yourself!

My name is Brock. I do all of the writing, recording, and producing for Echoes of the Moon. I am currently 21 and living in a small town in Indiana. Continue reading “Interview with Echoes of the Moon”

Circle of Reason – Faith or Theory (Review)

Circle of ReasonCircle of Reason are a rock band from the UK. This is their latest release.

Circle of Reason play an interesting brand of modern rock that combines elements of the progressive and alternative styles into their tasty recipe. The end result is instantly-gratifying songs that nonetheless have that vital ingredient of longevity to them, meaning you’ll come back and listen to them again.

Continue reading “Circle of Reason – Faith or Theory (Review)”

Death Lullaby – Wormz (Review)

Death LullabyDeath Lullaby are a Canadian Metal band and this is their début album.

This is modern Metal/djent that takes no prisoners with its heavy assault.

Stylistically the band are somewhat of a crossbreed between djent and NWOAHM. This is to their benefit; djent by itself is a very easy sub-genre to do badly, but here the limitations of the style are made up for by the more Metal influences of the modern/NWOAHM elements. The end result is songs that still might be a bit too much for some naysayers of djent, but for me strikes the right balance.

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Fister/Teeth – Split (Review)

Fister TeethFister and Teeth are both bands from the US, and they’ve teamed up for this split release.

Fister start us off with one track – We All Die Tonight. Although they’ve never graced this site before, Fister’s brand of Sludgy Doom is most enjoyable, and this song is no different.

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Enthean – Priests of Annihilation (Review)

EntheanEnthean are from the US and this is their début album. They play Black Metal.

This is progressive, technical and symphonic Black/Death Metal. It’s a bit of a mouthful, but then this is a band who have a lot of different influences. I hear bands like Zyklon, Dissection, Emperor, Dimmu Borgir, Septic Flesh and Fleshgod Apocalypse in their sound.

Continue reading “Enthean – Priests of Annihilation (Review)”