This is the eighth album from this Swedish heavy metal institution.
How’s that for an album cover, eh? It certainly paints a pretty picture of what the album sounds like.
For twenty years Grand Magus have been blaring out their brand of heavy metal in one form or another, and they Continue reading “Grand Magus – Sword Songs (Review)”
This is début album from Indian heavy metal band Eclipse.
This is melodic heavy metal played in the old-school style and backed up with bright keyboards that add some ostentation and punctuated highlights to the music’s already colourful charms.
The singer has a powerful and clear voice that soars above the music with character and passion. A good singing voice can make or break a band like this, and I’m pleased to say that there are no real issues in the vocal department. Continue reading “Eclipse – Clandestine Resurrection (Review)”
This is the seventh album from this US metal band.
I’ve always enjoyed Devildriver’s combination of modern metal, melodic death metal, thrash metal, NWOAHM, classic metal, nu-metal and crushing groove metal. Sure, they’ve had their ups and downs over the years with some albums being noticeably stronger than others, but they’ve always had enough meat on their metal bones to make me happy to listen to them in some capacity or other.
This moves us onto Continue reading “Devildriver – Trust No One (Review)”
Overtures are an Italian melodic Heavy Metal band and this is their fourth album.
Overtures play melodic Heavy Metal with nods to both progressive and Power Metal in their style. They know how to rock out when they need to, as well as exploring wider pastures and grander climes as appropriate.
This is an album strong in Continue reading “Overtures – Artifacts (Review)”
This is the second EP from Finnish Death/Sludge Metal band Black Royal.
Black Royal have an interesting style, effectively combining primitive 90s Death Metal with a Sludge/Stoner influence. It’s definitely the path less-travelled and makes for a very enjoyable journey.
The vocals consist of rough, Stoner-esque, semi-cleans, mixed in with deeper growls that have more of a Death Metal slant. Continue reading “Black Royal – The Summoning Pt. 2 (Review)”
This is the second album from Tothem, an Italian gothic/heavy metal band.
This is the band’s follow up to their début album Beyond the Sea, which was a polished collection of gothic metal tracks.
As with their first release; no matter how enticing the female vocals are, Tothem still remember that they’re first and foremost a metal band. This means that the music is just as important as the singing, and the guitars are present and correct as they should be.
I Am Noah are a metalcore band from Germany. This is their début release.
Metalcore is somewhat of a much-maligned genre, rightfully so in many ways. Regardless of what its detractors say though, there have been, (and are), some great bands playing the style that have left an impression on me at one time or another.
I Am Noah walk the same path as those who actually know what they’re doing with this kind of music. The familiar elements are all here, (backed up by a slight djent feel in places), but the band bend, burn and crush them into their own image. Continue reading “I Am Noah – The Verdict (Review)”
This is the latest EP from Austrian Symphonic Power Metal band Visions of Atlantis.
This is bright and energetic music with a strong Power Metal base that the band build symphonic elements onto. It’s relentlessly upbeat and mercilessly colourful, so much so that it’s hard to dislike a band playing with Continue reading “Visions of Atlantis – Old Routes – New Waters (Review)”
Grimner are a Swedish Viking/Folk Metal band and this is their second album.
Grimner play upbeat and melodic Metal that uses folk instruments such as flutes, mandola and Swedish bagpipes, as well as keyboards to add a rich layer of feeling and atmosphere to their aggressive Metal.
This is the second album from this US Metal band.
Tenth Amendment play modern Metal with groove and aggression. Back in the 90s when this kind of thing was just called either Metal or Hardcore rather than groove Metal or Metalcore, (usually due to how the band looked more than anything else), bands like Pantera, Fear Factory, Machine Head, Merauder, Skinlab and Pro-Pain we all staples of my CD collection, and Tenth Amendment very much remind me of that time.
Coming across as a combination of the aforementioned bands, we get song-based aggression with an industrial undercurrent that leans towards the heavier end of the spectrum. The album is very riff-based and there’s a purity of intent inherent in this kind of approach.
Wonderbox Metal 