Killswitch Engage are a metalcore band from the US and this is their eighth album.
Killswitch Engage are one of the larger, more recognisable names out there in the metal landscape, and I’m sure they need little introduction. Suffice it to say that they’re a big deal in certain circles. Continue reading “Killswitch Engage – Atonement (Review)”
This is the second album from Uniform & The Body, a collaboration between industrial rockers Uniform and experimental metallers The Body. Both are from the US.
I haven’t reviewed Uniform before, but I like 2018’s The Long Walk. As for The Body, you can see some examples of my appreciation for their work here, here, and here. Continue reading “Uniform & The Body – Everything That Dies Someday Comes Back (Review)”
This is the fourth album from US post-metal band Wrvth.
Previously known as Wrath of Vesuvius, they rebranded as Wrvth with 2015’s self-titled album, and delivered a feast of post-metal/death metal for us to enjoy, and enjoy we did. Continue reading “Wrvth – No Rising Sun (Review)”
This is the second album from Aviana, a metalcore band from Sweden.
Aviana play modern metalcore that’s mixed with elements of 90s nu-metal and a slight contemporary progressive/djent edge. They play on the heavier end of the metalcore spectrum, and although there’s clean singing included, it’s still with a focus on heaviness overall. Continue reading “Aviana – Epicenter (Review)”
Twilight Force are a power metal band from Sweden and this is their third album.
This is epic, symphonic power metal, the type that makes no apologies for its extravagance and sumptuous presence. These Euro-metal hymns are enhanced with all manner of additional instruments and symphonic keyboards. It’s the kind of music that embraces all of the clichés about this sort of thing, and does so willingly and with passion. Continue reading “Twilight Force – Dawn of the Dragonstar (Review)”
Throes are a sludge metal band from the US and this is their debut album.
Throes don’t mess around. The band mix together hardcore, sludge metal, and post-metal to create abrasive, harsh music that sounds like the aural equivalent of sandpapering your skin. Continue reading “Throes – In the Hands of an Angry God (Review)”
Unprocessed are a German progressive metal band and this is their third album.
Artificial Void contains 58 minutes of technical wizardry and complex structures and fuses them into a modern progressive metal journey that’s a rather impressive achievement. Not the least of this is because the album takes a vibrant, fresh approach to what could easily be tired and stale in another band’s lesser hands, (and frequently is). Continue reading “Unprocessed – Artificial Void (Review)”
All We’ve Known are a South African metalcore band and this is their debut album.
All We’ve Known’s chosen style of music is modern metalcore, mixed in with some electronic elements. The typical structure is that of heavy verses with harsh, shouted vocals, combined with a more melodic, emotive chorus with clean singing. Yes, it’s a Continue reading “All We’ve Known – Dissidence (Review)”
Northtale are a power metal band and this is their debut album.
Formed by musicians with a lot of experience in the metal arena, they have given us 53 minutes of infectious and well-delivered power metal. Continue reading “Northtale – Welcome to Paradise (Review)”
Beastwars are a sludge/stoner metal band from New Zealand and this is their fourth album.
The return of Beastwars is to be celebrated, and what better way than to embrace 38 minutes of new, riff-worshipping, hard rocking metal tunes? Continue reading “Beastwars – IV (Review)”
Wonderbox Metal 