This is the third album from Australian post-metal solo band Cave Sermon.
On Fragile Wings the artist behind Cave Sermon has created an interesting and enjoyable 4o minutes of music. It’s a hybrid style, combining death, black, sludge, progressive, and post-metal, resulting in an album that covers a lot of bases in a well-blended, immersive way. Continue reading “Cave Sermon – Fragile Wings (Review)”
This is the third album from US extreme metal band Kardashev.
Kardashev return, after the acclaimed Liminal Rite from 2022. The self-styled deathgaze band have provided us with 43 minutes of new material on Alunea. Continue reading “Kardashev – Alunea (Review)”
In the Woods… are a Norwegian progressive metal band and this is their seventh album.
I thoroughly enjoyed 2022’s Diversum, so was pleased when Otra appeared on the horizon. Across 47 minutes In the Woods… deliver a richly engaging album, full of textured and high quality songcraft. Continue reading “In the Woods… – Otra (Review)”
This is the seventh album from US power metallers Judicator.
2020’s Let There Be Nothing was a good album, but 2022’s The Majesty of Decay was a revelation. It was my favourite album from that year, and is simply a fantastic record. It’s rare for lightning to strike twice though, so I tried to go into the 50-minute Concord with expectations tempered, especially as Judicator now have a largely new lineup and a less-personally themed album. Continue reading “Judicator – Concord (Review)”
This is the seventh album from UK metal band Bleed from Within.
Despite being aware of Bleed from Within since they began – and I even saw them live I think many, many, many years ago in a support slot somewhere – I had never actually heard them properly before now. Zenith was a good opportunity to change this and see what I’ve been missing out on. Well, what do Bleed from Within have to offer? Continue reading “Bleed from Within – Zenith (Review)”
Dissocia are a Spanish progressive metal band and this is their debut album.
Brought to us by current/ex-members of Aposento, Bizarre, Cancer, Eternal Storm, and Wormed, Dissocia play modern progressive metal, with elements of death metal incorporated into its cinematic whole. Across 41 minutes, To Lift the Veil makes its intentions known in no uncertain terms, and has an impact. Continue reading “Dissocia – To Lift the Veil (Review)”
This is the second album from Indian metal band Bloodywood.
Bloodywood mix together folk and nu-metal, delivering 33 minutes of music on Nu Delhi that’s idiosyncratic and full of personality. Continue reading “Bloodywood – Nu Delhi (Review)”
An Evening with Knives are a stoner/post-metal band from the Netherlands, and this is their third album.
With an intriguing album cover and band name, and a promo blurb that saying it is for fans of Cult of Luna, Amenra, Neurosis, and Isis, I had to give End of Time a listen. Continue reading “An Evening with Knives – End of Time (Review)”
Cryptosis are a extreme metal band from the Netherlands and this is their second album.
Following on from 2021’s well-received Bionic Swarm, Cryptosis are now back with the 42-minute face ripper Celestial Death. I am of the opinion that a black metal touch makes everything better. Cryptosis seem to agree. Continue reading “Cryptosis – Celestial Death (Review)”
Raging Speedhorn are a sludge metal band from the UK and this is their seventh album.
Following on from 2016’s Lost Ritual and 2020’s Hard to Kill, we’re now treated to the 35-minute Nightwolf. Raging Speedhorn are such a great, fun band, that a new album from this act is always a treat. Continue reading “Raging Speedhorn – Nightwolf (Review)”
Wonderbox Metal 