Eximperitus, (full name – Eximperituserqethhzebibšiptugakkathšulweliarzaxułum), are a death metal band from Belarus, and this is their second album.
Eximperitus play technical death metal delivered with occult trappings, resulting in a 39-minute journey into an extremely high quality and well-defined world. If you’re a fan of bands like Nile, then this is definitely one to check out. Continue reading “Eximperitus – Šahrartu (Review)”
This is the debut album from international brutal deathcore band Virulence of Misconduct.
Infected comes roaring out of the underground like a possessed daemon in a bloodthirsty rage. It’s only 25 minutes long, but that’s all you need when you’re selling this sort of thundering slam. Continue reading “Virulence of Misconduct – Infected (Review)”
This is the second album from Canadian death metal act Altered Dead.
Altered Dead play old-school death metal that’s raw, filthy, and exceedingly nasty. Rising from the underground like some form of malformed monster, Returned to Life is a 35-minute slab of ugly death metal that is highly enjoyable. Continue reading “Altered Dead – Returned to Life (Review)”
This is the debut album from Devils Reef, a death metal band from the US.
Chosen by the Sea contains 35 minutes of death metal that incorporates elements from both technical and thrash metal. Continue reading “Devils Reef – Chosen by the Sea (Review)”
This is the third album from one-man US death metal band Pillory.
Across 64 minutes, the artist behind Pillory batters and bewilders the listener with an onslaught of technical death metal. Scourge upon Humanity clearly won’t be for everyone, even just from that description alone, Continue reading “Pillory – Scourge upon Humanity (Review)”
This is the debut album from Polish death/doom metal band Haunted Cenotaph.
Abyssal Menace contains 41 minutes of gloomy old-school death metal. With a hefty amount of doom metal elements, and a Celtic Frost influence, this is an enjoyable listen for anyone that wants to explore OSDM that has a different perspective on the genre than that of many of the band’s contemporaries. Continue reading “Haunted Cenotaph – Abyssal Menace (Review)”
This is the second album from Heads for the Dead, an international death metal band.
2018’s Serpent’s Curse was a great record, so this new one is much-anticipated. Into the Red contains 47 minutes of horror-themed old-school death metal, and the album has been worth anticipating; this is a crushing record that deserves much attention. Continue reading “Heads for the Dead – Into the Red (Review)”
This is the fourth album from German death metallers Profanity.
Despite the decent-sized discography of Profanity, this is my first encounter with them other than their 2014 EP Hatred Hell Within. The EP was enough to ensure that I checked out this album when it appeared, (although it Continue reading “Profanity – Fragments of Solace (Review)”
Growth are an Australian death metal band and this is their debut album.
This is essentially modern progressive death metal, but with a distinctly personal slant. That’s a bit too simplistic a description though. The promo blurb mentions bands such as Opeth, Gorguts, Black Crown Initiate, and Fallujah, and I can see why. To Continue reading “Growth – The Smothering Arms of Mercy (Review)”
This is the second album from Australian death metallers Depravity.
Depravity’s 2018 album Evil Upheaval was a fearsome slab of devastating death metal, so listening to their new slab of aggression was a must. Continue reading “Depravity – Grand Malevolence (Review)”
Wonderbox Metal 