This is the fourth album from US blackened deathcore band Lorna Shore.
Pain Remains offers a well-crafted 61 minutes of modern professional deathcore. Ambitious in scope, but superlative in execution, Pain Remains is epic, brutal, and atmospheric, probably about in equal measure. Continue reading “Lorna Shore – Pain Remains (Review)”
This is the sixth album from De Profundis, a death metal band from the UK.
More De Profundis is always a welcome thing. 2018’s The Blinding Light of Faith was particularly impressive, but I also highly recommend 2015’s Kingdom of the Blind too. I have been looking forward to The Corruption of Virtue and it has not disappointed. Continue reading “De Profundis – The Corruption of Virtue (Review)”
Strangle Wire are a death metal band from Northern Ireland and this is their debut album.
It seems like a very long time since Strangle Wire treated us to their enjoyable debut EP The Dark Triad. Has this early promise been realised on Shaped by Human Frailty‘s 34 minutes? Continue reading “Strangle Wire – Shaped by Human Frailty (Review)”
Acephalix are a death metal band from the US and this is their fourth album.
Theothanatology, (which features a member of Draghkar/Vastum), is an album of blunt brutality, repeatedly slamming broken bits of gravestone into your head across 32 minutes of death metal barbarity. Continue reading “Acephalix – Theothanatology (Review)”
This is the debut album from Spanish black/death/doom metal band Spectrum Mortis.
Spectrum Mortis play occult death metal with lashings of blackened malevolence and an air of ritualistic doom. Across 39 minutes the band preach their foul hymns and conduct their hideous ceremonies, drawing you uncertainly into their esoteric world. Continue reading “Spectrum Mortis – Bit Meseri – The Incantation (Review)”
Teaming up for this split we have US death metallers Putrescine and international black metallers Kosmogyr.
Putrescine deliver 3 songs with a duration of 17 minutes in total. Putrescine play a progressive form of dissonant death metal. The promo blurb mentions bands like Gorguts, Undeath, and Morbid Angel. Continue reading “Putrescine/Kosmogyr – Desolate Tides – Split (Review)”
This is the debut album from Canadian death metallers Gutvoid.
Featuring six tracks of monstrous death metal spread across 54 minutes, Gutvoid’s ambition is clear. Durance of Lightless Horizons is a grand slab of expressive extreme metal, and is definitely worth spending the time to explore. Let’s dig in. Continue reading “Gutvoid – Durance of Lightless Horizons (Review)”
Tribal Gaze are a death metal band from the US and this is their debut album.
The Nine Choirs is a 36-minute journey into death metal and hardcore territories that’s well-worn, yet feels fresh at the same time; Tribal Gaze take the old-school style and makes it absolutely massive, both through the mammoth sound of the record itself and how stupidly fun the music is. Tribal Gaze just destroy. Oh, and they have riffs for days. Continue reading “Tribal Gaze – The Nine Choirs (Review)”
Orthodoxy are a Spanish death metal band and this is their second album.
Following on from 2019’s enjoyable Novus Lux Dominus, Ater Ignis contains 45 minutes of Orthodoxy’s dark, occult death metal. Continue reading “Orthodoxy – Ater Ignis (Review)”
This is the debut album from one-man Polish death metal band Embarla Firgasto.
Temporal Capsule offers up 31 minutes of dissonant blackened death metal. The artist claims influence from acts such as Deathspell Omega, Aosoth, Ulcerate, Gorguts, Leviathan, Convulsing, and VI, and this is a good place to start when approaching this album. Continue reading “Embarla Firgasto – Temporal Capsule (Review)”
Wonderbox Metal 