Monolithe’s latest album Nebula Septem is quite something. With a firm concept and a collection of songs that’s arguably the band’s most diverse and enjoyable yet, it seems that here is a band that can do no wrong and are simply getting better and better as time goes by.
Benoît Blin, who plays guitar in the band, was nice enough to go into detail about the album and what makes it what it is… Continue reading “Interview with Monolithe”
Mammoth Weed Wizard Bastard and Slomatics are both doom metal bands from the UK. They have teamed up for this very tasty split release.
Mammoth Weed Wizard Bastard open the split, with 23 minutes of their enchanting doom. Continue reading “Mammoth Weed Wizard Bastard/Slomatics – Totems – Split (Review)”
This is the second album from Swedish instrumental post-metal band Sagor Som Leder Mot Slutet.
If you have 44 minutes to kill and you want to spend that time being taken away from your otherwise dreary existence, then Sagor Som Leder Mot Slutet’s latest release is a good way of achieving this. Continue reading “Sagor Som Leder Mot Slutet – II (Review)”
This is the debut EP from Canadian doom band Empress.
Although classed as an EP, there’s still 29 minutes of material here to sink your teeth into.
I’ll say it straight away – Reminiscence is a massively enjoyable release. Continue reading “Empress – Reminiscence (Review)”
Dominant are a Norwegian technical death metal band and this is their debut EP.
This is a 20-minute EP showcasing Dominant’s own brand of death metal. What does it sound like? Well, it’s clinical, precise, technical, and devastatingly brutal. Continue reading “Dominant – The Summoning (Review)”
Therion are a Swedish symphonic/operatic metal band and this is their sixteenth album.
Holy crap. This is a three-CD album, with a total duration of over three hours. Dear me. Where do you even begin with a release like this? And in case you’re wondering; no, I have not listened to this in its entirety in just one sitting! Continue reading “Therion – Beloved Antichrist (Review)”
Letters from the Colony are a progressive metal band from Sweden and this is their debut album.
This is complex music, fusing modern progressive and technical metal influences with djent elements to create experimental extreme metal. Vignette is notable for many things, one of which is that it largely takes from the strengths of these styles and leaves the weaknesses floundering in the dust, which is not an easy feat to achieve. Continue reading “Letters from the Colony – Vignette (Review)”
This is the fourth album from Funeral Winds, a black metal band from the Netherlands.
This is black metal played in the classic style; hateful, raging, and full of the fire and fury of the second wave. Continue reading “Funeral Winds – Sinister Creed (Review)”
Autopsy are a veteran US death metal band and this is their latest EP.
Very few come close to the gloriously filthy death metal of Autopsy. Marking a meaty 30 years of the band’s existence, this seven track EP is 24 minutes of gruesome fun and infectious sickness. Continue reading “Autopsy – Puncturing the Grotesque (Review)”
Seventh Genocide are an Italian post-black metal band and this is their second album.
Now this is quite the ambitious and expansive work. 59 minutes of post-black metal, delivered with passion and no small amount of skill. Continue reading “Seventh Genocide – Toward Akina (Review)”
Wonderbox Metal 