I like the Swedish death metal sound very much. Very, very much indeed. Which is why I absolutely love the new Lik album, the appropriately-titled Carnage. Full of classic death metal with the right combination of songs and attitude, it’s time to unleash the chainsaws and get cutting.
Lik’s drummer Christofer managed to give me a bit more information on the band, without me losing any limbs in the process… Continue reading “Interview with Lik”
Blackwater Holylight’s self titled debut album is a gorgeous mix of heartfelt vocals, hard rock and psychedelia, and dashes of old-school doom. A rich and textured collection of highly emotive songs, the album is warm and ethereal, easily impressing with its easy atmosphere and diverse songwriting. It’s definitely a keeper.
I caught up with bassist/vocalist Allison (Sunny) and asked a few questions… Continue reading “Interview with Blackwater Holylight”
Baptists are a Canadian hardcore band and this is their third album.
I very much enjoyed 2014’s Bloodmines, so a new record form Baptists is well overdue.
The band’s trademark blend of violent hardcore, punk, and noise rock is intact and well, but on this latest release they have developed the latter part of their sound to a greater degree. This has resulted in a more involved and Continue reading “Baptists – Beacon of Faith (Review)”
Forest of Grey are a black metal band from the US and this is their debut album.
Crypsis is a thoroughly engaging 30 minutes of atmospheric black metal, with a firm Cascadian influence. Divided into two lengthy tracks, the band have produced an album that’s both engaging and highly captivating. Continue reading “Forest of Grey – Crypsis (Review)”
Skinless are a death metal band from the US and this is their sixth album.
This is the follow up to 2015’s highly enjoyable Only the Ruthless Remain. Okay, so let’s get the obvious out of the way first – Savagery is an album which is appropriately named. As I say, an obvious observation, I know, but fitting given the circumstances. This is blatant, unsubtle music for smashing skulls to. Continue reading “Skinless – Savagery (Review)”
The Human Race Is Filth are a US grindcore band and this is their second EP.
Here we have 15 minutes of vicious grindcore mixed with sludge, punk, and crust.
Although for the average person this release is likely to be heard as a relentlessly impenetrable wall of noise, for those that are connoisseurs of all things extreme metal, there’s a surprising amount of variety on this short, violent Continue reading “The Human Race Is Filth – Liberate (Review)”
April has been an unusually strong month for metal, and I really have struggled to keep this list down to a manageable level. So much good music, so little time! Let’s have a look at what the metal world has given us this month then… Continue reading “Monthly Overview – the Best of April 2018”
Rotten Sound are a Finnish grindcore band and this is their latest EP.
Rotten Sound have always managed to marry up brutally aggressive music with decent songwriting and ferocious delivery. With this in mind, this latest EP offers 12 minutes of exactly this. It’s punishingly harsh, but not without a level of songcraft that’s absent from many grind bands who just tear loose and be done with it. Continue reading “Rotten Sound – Suffer to Abuse (Review)”
This is the sixth album from US experimental sludge band The Body.
After 2016’s monstrous No One Deserves Happiness, and their sterling collaboration with Full of Hell, we now have another 50 minutes of harsh sounds that merge industrial, noise, sludge, doom, and electronics together into a captivating whole. Continue reading “The Body – I Have Fought Against It, but I Can’t Any Longer (Review)”
Dimmu Borgir are a symphonic black metal band from Norway and this is their ninth album, (unless you count the rerecorded version of Stormblåst).
So, Dimmu Borgir have returned, a band that will likely need little introduction. Is this a case of more of the same, or do they offer something a bit different on their latest album? The truth lies somewhere in between.
Although the classic building Continue reading “Dimmu Borgir – Eonian (Review)”
