This is the second album from White Ward, a Ukrainian post-black metal band.
2017’s Futility Report was striking and enjoyable, mixing cold black metal with an avant-garde modern edge. Compared to Love Exchange Failure, however, it’s almost as if Futility Report was the prototype of this new album. Expanded Continue reading “White Ward – Love Exchange Failure (Review)”
No One Knows What the Dead Think are a grindcore band from the US and this is their debut album.
Featuring ex-members of the mighty Discordance Axis, No One Knows What the Dead Think contains 19 minutes of vicious, scathing music, (including a reworking of a Discordance Axis track). I haven’t been lucky enough to have this Continue reading “No One Knows What the Dead Think – No One Knows What the Dead Think (Review)”
Ossomancer is a black metal entity from the US and this is their debut album.
Ossomancer combine old and new, taking a base of second wave black metal and transporting it to the present day. Continue reading “Ossomancer – Artes Magickae (Review)”
This is the fifth album from Coffins, a death metal band from Japan.
I haven’t caught up with Coffins since 2015’s Craving to Eternal Slumber, but of course this highly prolific band have been busy since then on a number of releases. Beyond the Circular Demise is their latest full length, delivering 43 minutes of doom-infused death metal. Continue reading “Coffins – Beyond the Circular Demise (Review)”
Monolord are a doom metal band from Sweden and this is their fourth album.
Mixing doom, stoner, rock, and sludge into 47 minutes of satisfying Black Sabbath/Electric Wizard-esque worship, No Comfort is an enjoyable example of how to deliver a well-worn style with enough personality to be worthwhile. Continue reading “Monolord – No Comfort (Review)”
Cult of Luna are a Swedish post-metal band and this is their eighth album.
A Dawn to Fear follows on from the massively amazing Mariner, which was my album of the year for 2016, and deservedly so. Now, three years later, they return with 79 minutes of new material spread out over 8 songs. Continue reading “Cult of Luna – A Dawn to Fear (Review)”
This is the second album form US death metallers Eschaton.
It seems like a very long time since 2015’s Sentinel Apocalypse came out – and it is, really – but now Eschaton are back with 34 minutes of new material… Continue reading “Eschaton – Death Obsession (Review)”
This is the second album from US black/death metallers Haunter.
Sacramental Death Qualia is a mutant, constantly-shifting hybrid of progressive black/death metal. Mixing impenetrable dissonance with grim blackened melody and classic progressive beauty, the music combines darkness and light in such way that it can be almost jarring on Continue reading “Haunter – Sacramental Death Qualia (Review)”
This is a live album from Winterfylleth, a black metal band from the UK.
Winterfylleth are one of those bands that I always think I should have gotten around to listening to by now, but never have. As such, this live album seemed like as good a place as any to sample their wares. Containing five live tracks taken from the band’s first four albums, and a synth version of a track off their second album The Mercian Sphere, we are overall presented with 49 minutes of material in its entirety. Continue reading “Winterfylleth – The Siege of Mercia: Live at Bloodstock Festival 2017 (Review)”
This is the second album from US death metallers Visceral Disgorge.
Here we have around 30 minutes of brutal death metal. It’s largely inspired by late 90s/early 00s classic death metal, although this is given a modern makeover and also incorporates some slam elements. Overall, the word for this album is brutal. Brutal Brutal Brutal. Continue reading “Visceral Disgorge – Slithering Evisceration (Review)”
Wonderbox Metal 