Devourer are a black/death metal band from Sweden and this is their fifth album.
Devourer immediately struck a chord with me on their 2017 album Across the Empty Plains. Since then, they have also produced 2019’s Dawn of Extinction and 2022’s Raptus, both quality records that continued to showcase Devourer as a force to be reckoned with. The band are now back with The Wicked Ones, and sound more focused than ever. Continue reading “Devourer – The Wicked Ones (Review)”
Svneatr are a Canadian black metal band and this is their third album.
Across six tracks Never Return delivers 40 minutes of progressive black metal. Taking a second wave base and building on it with contemporary influences and an array of additional musical layers, Svneatr’s music is impressive and moreish. Continue reading “Svneatr – Never Return (Review)”
This is the second album from Naxen, a German black metal band.
Descending into a Deeper Darkness is the follow up to 2020’s Towards the Tomb of Times, and contains 43 minutes of new material that’s spread out over four sprawling tracks. Naxen were already a quality band before this, but Descending into a Deeper Darkness sees them raise their standards even higher. Continue reading “Naxen – Descending into a Deeper Darkness (Review)”
This is the fifth album from Corpus Diavolis, a French black metal band.
I enjoyed 2017’s Atra Lumen and 2021’s Apocatastase, (which I honestly thought I had reviewed), so when the promo for Elixiria Ekstasis appeared I wanted very much to be able to get to it. Alas, it was not to be, as sadly there just isn’t enough time in the world. However, as I like Corpus Diavolis I eventually made the mistake of listening to it – a mistake, only because it’s damn good and I knew I had to write about it – which is why, despite this coming out in March, you’re reading this now. Continue reading “Corpus Diavolis – Elixiria Ekstasis (Review)”
Lifvsleda are a Swedish black metal band and this is their third album.
Evangelii Härold brings us 48 minutes of classic-style second wave Scandinavian black metal. Lifvsleda appear to know the genre inside and out, and on Evangelii Härold deliver a display of artistry that’s compelling. Continue reading “Lifvsleda – Evangelii Härold (Review)”
This is the debut album from French black metallers Mòr.
Containing members of Iffernet and Sordide, Hear the Hour Nearing! is a 44-minute black metal record that merges second wave black metal with a modern delivery. Continue reading “Mòr – Hear the Hour Nearing! (Review)”
This is the second album from German black metallers MNHG.
Necare is the 37-minute follow up to 2021’s Mundare. This new record sees the band taking firm strides forward with their music, with stronger performances and production values that allow the nine tracks to shine. Continue reading “MNHG – Necare (Review)”
Khold are a Norwegian black metal band and this is their eighth album.
Du Dømmes til Død contains 33 minutes of black metal that’s primitive and deadly. Khold’s latest release hits the spot nicely. Continue reading “Khold – Du Dømmes til Død (Review)”
Imperatus are a Vietnamese black metal band and this is their debut album.
Imperatus play second wave black metal that’s spiced up with thrash and death metal flavouring. The promo blurb states that this is for fans of Marduk, Immortal, Nordjevel, and Dark Funeral, which sets the scene nicely for what At the Mercy of the Wind has to offer. Continue reading “Imperatus – At the Mercy of the Wind (Review)”
This is the second album from Dutch solo black metal band Beenkerver.
De Rode Weduwe contains 40 minutes of 90s-inspired second wave black metal. Played with fiery passion and cold aggression, the artist behind Beenkerver, (along with a couple of guests), offers an authentic take on the style that’s delivered with contemporary skill. Continue reading “Beenkerver – De Rode Weduwe (Review)”
Wonderbox Metal 