This is the fourth album from Canadian progressive metal/rock band Dead Quiet.
Dead Quiet have an expressive and individual sound that sits somewhere between metal and rock. Combining stoner, heavy, and progressive influences into well-written songs with no small amount of charisma and personality, IV is 45 minutes very well-spent. Continue reading “Dead Quiet – IV (Review)”
This is the debut album from US black metal band Another Black Autumn.
Containing members of Canis Dirus and Crown of Asteria, Another Black Autumn play atmospheric black metal. Across 31 minutes the band demonstrate a keen ability at producing black metal that doesn’t always do what you expect it to do. Continue reading “Another Black Autumn – Resplendent Apparitions at the Dawn (Review)”
The Anchoret are a Canadian progressive metal band and this is their debut album.
The Anchoret play a multifaceted brand of progressive metal that takes in aspects of progressive rock and a touch of extreme metal. This has resulted in an album that has plenty of impactful content to instantly appeal, but can also draw the listener back in over time. For a very rough starting point, think a combination of parts of bands such as Karnivool, Between the Buried and Me, Sermon, David Bowie, Dream Theater, Opeth, Queen, The Ocean, Dawnwalker, Ihsahn, and Rush. Continue reading “The Anchoret – It All Began with Loneliness (Review)”
AVKRVST are a Norwegian progressive rock/metal band and this is their debut album.
The Approbation is a 49-minute exploration of progressive rock and metal, played professionally and delivered with a contemporary sheen. Continue reading “AVKRVST – The Approbation (Review)”
This is the second album from US progressive metal/rock band OK Goodnight.
The Fox and the Bird contains 52 minutes of modern progressive metal that brings together a variety of influences into a multifaceted whole. A foundation of progressive metal and rock is enriched with elements of pop, jazz, and indie to create music that’s charismatic and highly textured. Continue reading “OK Goodnight – The Fox and the Bird (Review)”
This is the seventh album from US avant-garde/experimental doom band Yakuza.
Sutra is a 54-minute journey into the unexpected and the atypical. Few genre tags will do this justice, so I’ve settled on avant-garde doom, which is vague enough to be relevant, so why not. Whatever you call them, Yakuza have provided a multifaceted metal album that’s diverse and enjoyable. Continue reading “Yakuza – Sutra (Review)”
They Watch Us from the Moon are a doom/stoner metal band from the US and this is their debut album.
Cosmic Chronicles, Act I: The Ascension provides us with a feast of progressive stoner doom. Across 45 minutes – five meaty songs – They Watch Us from the Moon impress with their charismatic take on a notoriously bland style. Spoiler alert: bland, this is not. Continue reading “They Watch Us from the Moon – Cosmic Chronicles, Act I: The Ascension (Review)”
This is the fourth album from UK progressive metal band Black Orchid Empire.
Tempus Veritas showcases that talents of Black Orchid Empire across an easily enjoyable 38 minutes. The style is a contemporary blend of progressive, technical, and alternative/melodic rock/metal, one that is textured and vibrant. Continue reading “Black Orchid Empire – Tempus Veritas (Review)”
This is the fourth album from international funeral doom band Mesmur.
Following on from 2017’s S and 2019’s Terrene, Chthonic provides us with 48 minutes of new material from Mesmur. Spoiler alert: it’s the band’s best album yet. Continue reading “Mesmur – Chthonic (Review)”
This is the second album from US stoner/sludge metal band Witch Ripper.
Witch Ripper play a brand of heavy music that exists somewhere between sludge metal and progressive rock. The Flight After the Fall is an ambitious and enjoyable slab of modern progressive sludge that takes the listener on a 47-minute journey into expressive and emotive waters. Continue reading “Witch Ripper – The Flight After the Fall (Review)”
Wonderbox Metal 