This is the fifth album from US death/doom band Temple of Void.
It’s safe to say I’m a fan of Temple of Void. I’ve thoroughly enjoyed all of the band’s albums, (Of Terror and the Supernatural, Lords of Death, The World That Was, and Summoning the Slayer), bought the t-shirt, and one day hope to catch them live. Until then, we have a brand spanking new record to eagerly devour – The Crawl, which Continue reading “Temple of Void – The Crawl (Review)”
Oreyeon are an Italian stoner rock band and this is their fourth album.
I enjoyed 2022’s Equations for the Useless, so wanted to check in with Oreyeon once more to see what this stoner rock crew were up to. The Grotesque Within is what. It’s a record bursting with stoner rock flavour, spiced up with grunge, doom, and progressive rock seasoning. Continue reading “Oreyeon – The Grotesque Within (Review)”
Wolverine are a Swedish progressive metal band and this is their sixth album.
Wolverine play a compelling form of progressive rock, and that’s putting it mildly. Across the 52 minutes of material on Anomalies the band Continue reading “Wolverine – Anomalies (Review)”
This is the second album from Mexican progressive metal solo act Phendrana.
Here we have a 38-minute album that takes a lot of different influences into itself. Blackgaze, post-metal, progressive rock, avant-garde metal, folk, and post-black metal all come together with nuance and grace inside a progressive extreme metal framework that’s highly compelling. The artist behind Phendrana has made a convincing case for Cathexis being Continue reading “Phendrana – Cathexis (Review)”
This is the seventh album from UK progressive metal/rock band Dawnwalker.
Dawnwalker are one of those rare bands that genuinely do attempt something different with each release. 2022’s murky, hallucinogenic House of Sand was a massive hit for me, and I loved it. 2024’s follow up The Unknowing was ultimately less to my taste, with its classic prog rock stylings, but still enjoyable nonetheless. So, with that in mind, what does The Between have to offer? Continue reading “Dawnwalker – The Between (Review)”
This is the third album from Swedish atmospheric death metal band An Abstract Illusion.
Now here’s a very highly anticipated album. The Sleeping City is An Abstract Illusion’s follow up to their highly acclaimed 2022 album Woe, which was so good it made it onto my year end list. Yes, expectations are high for this record, but there’s also trepidation too – how can An Abstract Illusion possibly meet the high standards they have now set for themselves? Continue reading “An Abstract Illusion – The Sleeping City (Review)”
This is the second album from Heathe, a post-metal/rock band from Denmark.
Control Your Soul’s Desire for Freedom is the 64-minute follow up to 2019’s On the Tombstones; the Symbols Engraved. Heathe have developed their sound on this new record, expanding widely into multifaceted waters that take in a broad set of influences. I’ve tagged this above as post-metal/rock, but it’s not really – at least not in any traditional sense. They are simply the closest broad terms relevant. There’s certainly very little in the way of metal on this record, for example. Heathe exist in a niche world, where a lot of recognisable materials have been mangled into something quite atypical. Continue reading “Heathe – Control Your Soul’s Desire for Freedom (Review)”
This is the fifth album by UK progressive metal band Esoterica.
Ether Metal contains 48 minutes of contemporary, electronically enriched progressive metal/rock. The first time I came across Esoterica was at this year’s Mangata Festival – although I didn’t catch them live, they seemed like a band I wouldn’t mind checking out. My tolerance for this sort of music is quite low though compared to other styles, as most bands playing it I find are just bland and bad. So, do Esoterica have what it takes to be worth listening to? Continue reading “Esoterica – Ether Metal (Review)”
Grayceon are a progressive metal band from the US and this is their sixth album.
With a striking album cover and containing a member of the fantastic Brume, (also ex-Ludicra), how could I let this one pass me by? Containing a colossal 82 minutes of music, Grayceon are not without ambition, but thankfully have the skill and talent to pull off an endeavour such as Then the Darkness. Continue reading “Grayceon – Then the Darkness (Review)”
This is the debut album from Belgian heavy rock band Killjoy.
Killjoy have an engaging sound that embraces a few different influences and fuses them into a very engaging form of modern rock. Across 34 minutes, elements of electronica, screamo, progressive rock, punk, and post-metal are all swallowed up and spat out in the form of seven charismatic tracks that hit the spot. Continue reading “Killjoy – Dream and Violence (Review)”
Wonderbox Metal 