March proved to be this year’s strongest month for metal releases yet. I was hard-pressed to keep this list as short as it is, and any of the albums listed below are worthy of your attention. Continue reading “Monthly Overview – the Best of March 2019”
Tag: Progressive Death Metal
Contrarian – Their Worm Never Dies (Review)
Contrarian are a death metal band from the US and this is their third album.
So far Contrarian have a solid track record of delivering quality progressive/technical death metal albums; both 2015’s Polemic and 2017’s To Perceive Is to Suffer are records that I really enjoy. Continue reading “Contrarian – Their Worm Never Dies (Review)”
Fallujah – Undying Light (Review)
This is the fourth album from US progressive death metallers Fallujah.
I’ve been waiting for this one. Both 2014’s The Flesh Prevails and 2016’s Dreamless were superb albums, so the bar is set high for Undying Light. A change in singer and loss of a guitarist can potentially be a challenge for a band, but when I saw them live recently it sounded as if Fallujah’s new vocalist had easily made his mark. So now we have the new album in full, how does it all manifest? Continue reading “Fallujah – Undying Light (Review)”
Aenimus – Dreamcatcher (Review)
Aenimus are a modern death metal band and this is their second album. They are from the US.
Aenimus fuse a range of different styles into their modern death metal. It’s progressive and technical, and takes parts of the djent and deathcore styles into itself quite easily. The music twists and turns with a futuristic Continue reading “Aenimus – Dreamcatcher (Review)”
Diluvium Europa 2019 Tour – First Fragment/Allegaeon/Fallujah/Obscura – Manchester Rebellion, 07/02/19 (Live Review)
So, who’s up for a night of unbridled technical brutality? Everyone in attendance at Rebellion tonight, that’s who. With a lineup like this, who can blame them?
Also, there’s a bartender here with an Acid Bath T-Shirt on. Top man. Continue reading “Diluvium Europa 2019 Tour – First Fragment/Allegaeon/Fallujah/Obscura – Manchester Rebellion, 07/02/19 (Live Review)”
Gross Misconduct – Equinox (Review)
Gross Misconduct are a Canadian death metal band and this is their third album.
This is progressive death metal with a thrash influence. The band describe this album in the following way – “Imagine Cynic with a dollop of Death, a smattering of The Crown/Mastodon/Gojira and healthy doses of 1980s Metallica and Slayer.” I’ve simply regurgitated this here as it’s a better descriptor of how Equinox sounds than anything I could come up with. Continue reading “Gross Misconduct – Equinox (Review)”
Cerebrum – Iridium (Review)
Cerebrum are a Greek death metal band and this is their third album.
Cerebrum play an aggressive, fluid brand of technical death metal. Sometimes intense, sometimes adventurous, but not inaccessible for the average metalhead, Iridium is a solid slab of well-crafted death metal. Continue reading “Cerebrum – Iridium (Review)”
Psycroptic – As the Kingdom Drowns (Review)
Psycroptic are an Australian technical death metal band and this is their seventh album.
I massively, hugely enjoyed 2015’s self-titled album, and the more I’ve got to know it over the years the more I’ve come to appreciate just how good of a record it is. Continue reading “Psycroptic – As the Kingdom Drowns (Review)”
Horrendous – Idol (Review)
This is the fourth album from US death metal band Horrendous.
Horrendous are a notable and important band in the death metal underground, I’d posit. As evidence I’d cite albums such as Ecdysis and Anareta, at the very least. Continue reading “Horrendous – Idol (Review)”
Revocation – The Outer Ones (Review)
This is the seventh album from Revocation, a US death metal band.
Following up 2016’s enjoyable Great Is Our Sin, this is Revocation’s darkest and most aggressive work so far. Over their existence the band have managed to balance their death and thrash metal influences in an effective ratio, with Continue reading “Revocation – The Outer Ones (Review)”

