This is the debut album from US grindcore band Defigurement.
Defigurement are described as playing a technical/avant-garde/experimental form of grindcore. Couple this with the fact that the band contain current/ex-members of bands such as Bad Acid Trip, Changeling, Fear Factory, Invidiosus, Malignancy, Success Will Write Apocalypse Across the Sky, and Zillah, and this was one I wanted to check out. Continue reading “Defigurement – Endbryo (Review)”
This is the debut album from UK hardcore band Still in Love.
Containing 23 minutes of metallic hardcore heaviness, Recovery Language is a wrecking ball of a record, although it hits a little different than you may be expecting. Continue reading “Still in Love – Recovery Language (Review)”
This is the third album from Nails, a grindcore band from the US.
There are a fair few albums being released in 2024 that are hotly anticipated, including some from bands that haven’t released anything for a while. For me, near the top of that list is Every Bridge Burning by Nails. 2016’s You Will Never Be One of Us was a grindcore/powerviolence/hardcore monster, so this new record has a lot to live up to. Continue reading “Nails – Every Bridge Burning (Review)”
Closet Witch are a grindcore band from the US and this is their second album.
Sometimes, you just need to GRIIIIIINNNND. But not just any kind of grind; no, sometimes you need to grind and burn with the sort of visceral, idiosyncratic grind that leaves scars. For times like that, you have a band like Closet Witch. Continue reading “Closet Witch – Chiaroscuro (Review)”
This is the debut album from Scottish grindcore band Gendo Ikari.
Featuring a member of Ashenspire, Gendo Ikari play scathing grindcore that should appeal to fans of bands such as Discordance Axis, Agoraphobic Nosebleed, Antigama, and Pig Destroyer. It’s fast, it’s nasty, and in 25 minutes it will leave you a bloody puddle on the floor. Continue reading “Gendo Ikari – Rokubungi (Review)”
Endorphins Lost are from the US and play grindcore. This is their third album.
I enjoyed Endorphins Lost’s 2018 split with Osk, and I enjoyed their 2019 album Seclusions. Their successful run continues, as now, I also enjoy Night People too. 14 tracks, 20 minutes; Night People is succinct and to the point, yet doesn’t lack in finesse or depth. Continue reading “Endorphins Lost – Night People (Review)”
Escuela Grind are a grindcore band from the US and this is their second album.
I love me some grindcore, but what Escuela Grind give us is actually more interesting than just that. This is grindcore by way of huge metallic hardcore groove. Memory Theater takes the strengths of both worlds to produce a monstrous collection of tracks that cut a swathe through the opposition. Continue reading “Escuela Grind – Memory Theater (Review)”
Candy are a hardcore band from the US and this is their second album.
I do so enjoy music that’s violent and punishing, and Candy’s scathing mix of industrial, metal, and hardcore is exactly that. Across 30 minutes the band demonstrate that they’re very capable in all of these arenas. Continue reading “Candy – Heaven Is Here (Review)”
This is the debut release from Thicko, a UK hardcore band.
From the capable hands of Paul Catten and Paul Kenney, (Fukpig, Kroh), The Beginning Is Nigh contains a scant 9 minutes of bludgeoning. Continue reading “Thicko – The Beginning Is Nigh (Review)”
Friendship are from Japan and play blackened grindcore/hardcore. This is their second album.
2017’s Hatred was an intoxicating blend of grindcore, sludge, and blackened hardcore powerviolence. It was a hideously effective record, so I’m quite pleased that we now have Undercurrent to sate our desire for fresh carnage. Continue reading “Friendship – Undercurrent (Review)”
Wonderbox Metal 