Ravens are a post-rock band from Ireland and this is their debut release.
This release contains two songs, has less than 9 minutes of music, and is instrumental in nature. It’s basically to whet the appetite. Continue reading “Ravens – Comfort Is a Slow Death/Freedom from Worry and the Fear (Review)”
This is the debut album from US doom band Palehorse/Palerider.
This is a rich, textured release that combines psychedelic doom, post-rock, and shoegaze to create involving soundscapes. Described as doomgaze, the appellation is apt. Continue reading “Palehorse/Palerider – Burial Songs (Review)”
Arya are an Italian progressive/post-metal band and this is their second album.
Arya play modern progressive/post-metal with some djent and technical influences. However, this description doesn’t tell the complete story at all. Continue reading “Arya – Dreamwars (Review)”
This is the third album from US doom band Flesh of the Stars.
How time flies. It was only a couple of years ago that Flesh of the Stars impressed the Hell out of me with their very endearing debut album, Hide. Since then, I’ve somehow missed out on them releasing a second album, and they’re now on their third release, Anhilla. Turns out they’re quite the prolific band. Continue reading “Flesh of the Stars – Anhilla (Review)”
Fen are a UK progressive black metal band and this is their fifth album.
Fen combine atmospheric, progressive and post-black metal into their beguiling music. Taking the appropriate elements of each and using them to suit their own purposes, the music on Winter is expansive and full of dark vision. Continue reading “Fen – Winter (Review)”
Into Orbit are a post-metal band from New Zealand. This is their second album.
Unearthing is just over 40 minutes long and combines post-metal/rock, progressive metal/rock, doom, drone and ambient. Continue reading “Into Orbit – Unearthing (Review)”
Riviẽre are a progressive metal band from France and this is their debut album.
This is an intriguing blend of styles that uses progressive metal as a base to launch forays into post-rock, post-hardcore and alternative metal.
As you may be able to ascertain from Continue reading “Riviẽre – Heal (Review)”
[::] are an instrumental post-metal band from Poland. This is their debut album.
Pronounced 4 Dots, the band features an ex-member of the mighty Obscure Sphinx, which immediately made me keen to find out what they had to offer on this release.
The album reveals itself Continue reading “[::]/4 Dots – Aux::in (Review)”
This is the debut album by post-metal band Nebulae Come Sweet from Belarus.
Although the band itself consists of three core members, on their debut album they’re joined by a wealth of additional musicians and vocalists, (programming, cello, saxophone, pipe, percussion, synthesizer, violin, choir), as well as guests from Minsk and Moloken. As you might imagine, this allows for a lot of scope and on It Is Not the Night That Covers You they take advantage of this to the fullest. Continue reading “Nebulae Come Sweet – It Is Not the Night That Covers You (Review)”
Arcade Messiah is a one-man progressive metal project from Ireland. This is his third album.
Although there are some vocals on this release, it’s mainly instrumental, with the man behind the band making sure that the music has the starring role.
The songs are the kind of modern, progressive Continue reading “Arcade Messiah – III (Review)”
![[::]/4 Dots – Aux::in (Review)](https://wonderboxmetal.com/wp-content/uploads/2016/12/4-dots.jpg?w=700)
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