This is the debut album from Irish post-metal/doom band Third Island.
After the initial promise of Third Island’s debut EP Dusk, the band have now returned with a full 48 minutes of material. This is direct, forthright post-metal, which also takes in influences from doom, sludge, post-rock, and progressive metal. Continue reading “Third Island – Omelas (Review)”
Vyre are a German post-black metal band and this is their third album.
Vyre offer up a 52-minute sophisticated cocktail of electronically enhanced avant-garde/post-black metal, which has been further spiked with keyboards, synths, cello, and violin. Continue reading “Vyre – Weltformel (Review)”
Svalbard are a crust/hardcore band from the UK and this is their second album.
It’s Hard to Have Hope is the sound of crust/hardcore bite and metallic aggression coming together to create 38 minutes of passionate music with a message. Continue reading “Svalbard – It’s Hard to Have Hope (Review)”
Talbot are a stoner/doom band from Estonia, and this is their third album.
Talbot are a band that are playing their own brand of stoner/doom metal. Mixing the complimentary parts of stoner, doom, psychedelic, sludge, and post-metal together into an enjoyable 42-minute trip, this is an album to sit back and sink into. Continue reading “Talbot – Magnetism (Review)”
Death Engine are a French hardcore band and this is their second album.
I like Death Engine. Like, a lot. Mud was a massively enjoyable album of multifaceted, nuanced hardcore, showing a breadth of delivery and depth of substance that’s extremely rare to encounter outside of the mighty Converge. This should not be taken to mean that Death Engine sound like Converge, however. Continue reading “Death Engine – Place Noire (Review)”
Hundred Year Old Man are a post-metal/sludge band from the UK and this is their debut album.
Breaching contains almost 60 minutes of affecting, emotive material. With a post-metal approach to intensity the band wield their various influences to produce atmospheric sludge metal that’s a monolithic and immersive listening experience. Continue reading “Hundred Year Old Man – Breaching (Review)”
Soldat Hans are a doom band from Switzerland and this is their second album.
Es Taut contains 55 minutes of music spread out over three tracks. This is a colossal and ambitious album, one that’s delivered by a band with matching talent, skill, and ability. Continue reading “Soldat Hans – Es Taut (Review)”
Abjection Ritual are a US industrial doom band and this is their third album.
With an enigmatic, yet enticing album cover, this release drew me in like a moth to a flame. With a few varying and slightly contradictory descriptions of what was contained on this release, I wasn’t quite sure what to expect before pressing play, but knew this was something I wanted to explore. What I found was an unexpected and engaging album. Continue reading “Abjection Ritual – Soul of Ruin, Body of Filth (Review)”
Deadly Carnage are an Italian post-black metal band and this is their fourth album.
This is 45 minutes of creative metal, mixing black metal with doom, post-metal, and progressive influences. The band have produced an epic, exploratory journey across the cosmos, and do this via some expressive and emotive music. Continue reading “Deadly Carnage – Through the Void, Above the Suns (Review)”
Arya are an Italian progressive/post-metal band and this is their third album.
I enjoyed last year’s Dreamwars. This was a curiously individual release, blending emotive modern progressive/alternative metal with a dreamy strain of post-metal. It’s an album that is striking upon first listen, but properly Continue reading “Arya – Endesires (Review)”
Wonderbox Metal 