Wake are a Canadian grindcore band and this is their fourth album.
I really, really enjoyed 2018’s Misery Rites, so I new that as soon as Devouring Ruin appeared, it was a must-listen. Continue reading “Wake – Devouring Ruin (Review)”
Wake are a Canadian grindcore band and this is their fourth album.
I really, really enjoyed 2018’s Misery Rites, so I new that as soon as Devouring Ruin appeared, it was a must-listen. Continue reading “Wake – Devouring Ruin (Review)”
This is the third album from Swedish death/doom band Soliloquium.
This is a progressive, melodic brand of death/doom, one that also takes elements of post-metal and shoegaze into its mix. The end result is a 45-minute album that strikes a balance between instant-appeal heaviness and songwriting smarts on one hand, and Continue reading “Soliloquium – Things We Leave Behind (Review)”
Huntsmen are a US progressive metal band and this is their second album.
I really enjoyed 2018’s American Scrap, and it grew in my estimation over time too. At almost 80 minutes in duration this new album is almost double the length of the band’s first full length; Huntsmen are clearly not lacking in ambition. Driven by storytelling, Mandala of Fear takes the listener on a dystopian journey, one that has the musical ability to back up its concept. Continue reading “Huntsmen – Mandala of Fear (Review)”
This is the debut album from Dutch blackened post-punk/metal Ainsoph.
Ainsoph’s material is constructed from a sort of atypical blackened base that takes in elements of post-metal, post-rock, post-punk, avant-garde, progressive rock, doom, blackgaze, and jazz. It’s an eclectic mix on paper, but in execution Continue reading “Ainsoph – Ω – V (Review)”
[ B O L T ] are a drone/doom band and Morasth are a doom/post-metal band, both are from Germany.
[ B O L T ] offer a single track and start us off on this split with the 21-minute [ 0 6 ]. Continue reading “[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)”
This is the third album from Nero di Marte, a progressive metal band from Italy.
Six years after the rewarding Derivae, Nero di Marte have finally returned with 67 minutes of new material in the shape of Immoto. Continue reading “Nero di Marte – Immoto (Review)”
This is the second album from Third Island, an Irish post-metal band.
Dusk and Omelas showed a band developing and growing into their style well, and Unspeakable is the latest chapter in their continued journey. Continue reading “Third Island – Unspeakable (Review)”
This is the third album from The River, a doom metal band from the UK.
Featuring a member 40 Watt Sun/ex-member of Warning, The River play traditional doom metal bolstered by a skilful interpretation of the style. Continue reading “The River – Vessels into White Tides (Review)”
Another year gone by, where does all the time go? Listening to metal I suppose, that’s where. Every year brings more metal delights, so I invite you to partake of 30 of my favourites from the rather metallically fertile 2019. Let me know which ones are your favourites to! Continue reading “Wonderbox Metal End of Year List – Best Metal of 2019”
Rorcal are a Swiss blackened post-metal band and this is their fifth album.
Rorcal are an ever-shifting beast, producing a wealth of material over their career spanning doom, drone, post-metal, and black metal. After the furious blackened assault of κρέων (Creon), Muladona is a different proposition. Continue reading “Rorcal – Muladona (Review)”