The Ditch and the Delta are a sludge metal band from the US and this is their second album.
This band combine Neurosis-style post-metal sludginess with energetic riff-worship and a surprisingly technical delivery to produce 38 minutes of abrasive nastiness. Mix Neurosis, very early Mastodon, Today Is the Day, and Meshuggah, and you’ll have a Continue reading “The Ditch and the Delta – The Ditch and the Delta (Review)”
This is the third album from Towards Darkness, a post-metal metal band from Canada.
Towards Darkness have a heart of doom, which is then combined with sludge and post-metal to produce 44 minutes of engaging and immersive music. Continue reading “Towards Darkness – Tetrad (Review)”
Based in the US, Irist are a modern metal band and this is their debut album.
Irist’s recipe is one that takes a wide range of influences and works them into a comprehensive modern metal framework. Loosely stated, Irist take elements of hardcore, thrash metal, and progressive/post-hardcore/metal, and hone them into song-based packages of metallic heaviness. Continue reading “Irist – Order of the Mind (Review)”
Wake are a Canadian grindcore band and this is their fourth album.
I really, really enjoyed 2018’s Misery Rites, so I new that as soon as Devouring Ruin appeared, it was a must-listen. Continue reading “Wake – Devouring Ruin (Review)”
This is the third album from Swedish death/doom band Soliloquium.
This is a progressive, melodic brand of death/doom, one that also takes elements of post-metal and shoegaze into its mix. The end result is a 45-minute album that strikes a balance between instant-appeal heaviness and songwriting smarts on one hand, and Continue reading “Soliloquium – Things We Leave Behind (Review)”
Huntsmen are a US progressive metal band and this is their second album.
I really enjoyed 2018’s American Scrap, and it grew in my estimation over time too. At almost 80 minutes in duration this new album is almost double the length of the band’s first full length; Huntsmen are clearly not lacking in ambition. Driven by storytelling, Mandala of Fear takes the listener on a dystopian journey, one that has the musical ability to back up its concept. Continue reading “Huntsmen – Mandala of Fear (Review)”
This is the debut album from Dutch blackened post-punk/metal Ainsoph.
Ainsoph’s material is constructed from a sort of atypical blackened base that takes in elements of post-metal, post-rock, post-punk, avant-garde, progressive rock, doom, blackgaze, and jazz. It’s an eclectic mix on paper, but in execution Continue reading “Ainsoph – Ω – V (Review)”
![[ B O L T ] Morasth - [ B O L T ] vs. Morasth - Split](https://wonderboxmetal.com/wp-content/uploads/2019/12/b-o-l-t-morasth-b-o-l-t-vs.-morasth-split.jpg)
[ B O L T ] are a drone/doom band and Morasth are a doom/post-metal band, both are from Germany.
[ B O L T ] offer a single track and start us off on this split with the 21-minute [ 0 6 ]. Continue reading “[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)”
This is the third album from Nero di Marte, a progressive metal band from Italy.
Six years after the rewarding Derivae, Nero di Marte have finally returned with 67 minutes of new material in the shape of Immoto. Continue reading “Nero di Marte – Immoto (Review)”
This is the second album from Third Island, an Irish post-metal band.
Dusk and Omelas showed a band developing and growing into their style well, and Unspeakable is the latest chapter in their continued journey. Continue reading “Third Island – Unspeakable (Review)”
![[ B O L T ]/Morasth – [ B O L T ] vs. Morasth – Split (Review)](https://wonderboxmetal.com/wp-content/uploads/2019/12/b-o-l-t-morasth-b-o-l-t-vs.-morasth-split.jpg?w=700)
Wonderbox Metal 