Bizarrekult are a Norwegian post-black metal band and this is their third album.
2023’s Den Tapte Krigen was a notable record, and I thoroughly enjoyed seeing the band live in 2024. Alt Som Finnes is one I’ve been looking forward to, so let’s get right to it. Across these 44 minutes, have Bizarrekult delivered the goods?
They absolutely have. Continue reading “Bizarrekult – Alt Som Finnes (Review)”
This is the third album from Finnish metal band Atlas.
Atlas play a contemporary form of metal that borrows from a few different styles. Although the rather generic tag of modern metal is probably an apt one, it’s also just as misleading as it is useful. There’s 29 minutes of material on Sunder, but what it lacks in quantity it Continue reading “Atlas – Sunder (Review)”
This is the third album from Ingrina, a post-metal band from France.
So what do we have here then – a band who are described as a mix of post-metal and post-hardcore? One who are compared to Cult of Luna, Russian Circles and Year of No Light? With some striking album art to boot? Yep, it was impossible for me to resist sampling Ingrina’s wares. Continue reading “Ingrina – Nåværende Lys (Review)”
This is the debut album from Swiss post-metal band De l’Abîme Naît l’Aube.
De l’Abîme Naît l’Aube play post-metal that’s laced with elements taken from post-rock and blackgaze, alongside ritualistic influences. Think a mix of bands such as Alcest, Amenra, Vermilia, and Year of No Light, and you’ll be part of the way there. Across 53 minutes Continue reading “De l’Abîme Naît l’Aube – Rituel : Initiation (Review)”
This is the second album from Mexican progressive metal solo act Phendrana.
Here we have a 38-minute album that takes a lot of different influences into itself. Blackgaze, post-metal, progressive rock, avant-garde metal, folk, and post-black metal all come together with nuance and grace inside a progressive extreme metal framework that’s highly compelling. The artist behind Phendrana has made a convincing case for Cathexis being Continue reading “Phendrana – Cathexis (Review)”
Nightmarer are an international death metal band and this is their latest EP.
Following on from 2023’s Deformity Adrift, Nightmarer have returned with four new tracks of brutal avant-garde death metal. Hell Interface is a 21-minute granite-hard slab of dissonant blades and venomous technicality. Continue reading “Nightmarer – Hell Interface (Review)”
This is the debut album from UK post-metal band In a House of Heartbeats.
Divination of Dreams is a 54-minute cinematic blend of post-rock, post-metal, shoegaze, and doom. In a House of Heartbeats have produced a cracking first record that’s more than worth spending time getting to know intimately. Continue reading “In a House of Heartbeats – Divination of Dreams (Review)”
This is the second album from Polish solo post-black metal band Miasme.
Keep Them at a Distance contains 43 minutes of engaging music. The artist behind Miasme convinces easily with a striking display of hybrid blackened post-metal that feels very contemporary, yet also timeless in its flavour. Continue reading “Miasme – Keep Them at a Distance (Review)”
Another year, another list. 2025 followed 2024 as it was meant to, and brought with it a plethora of new metal albums to get excited about. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2025”
Another year, another Damnation Festival. Has it really been 20 years? I went to the very first one waaaaay back in 2005, and a love affair was born. It has been great to watch it become one of the world’s best festivals. Kudos to the organisers for their continued passion and ability.
This edition is therefore the festival’s twentieth year and sees Damnation bigger and arguably better than ever before. It’s across two days now, and the lineup is strong in both depth and breadth. From veteran classics to newborn sensations, the festival has it all. Continue reading “Damnation Festival 2025 – BEC Arena, Manchester – 08/11/25-09/11/25 (Live Review)”
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