Venues are a post-hardcore/metalcore band from Germany and this is their debut album.
This is an enjoyable 47 minutes of modern heaviness, with a style that fits somewhere between post-hardcore and metalcore. Continue reading “Venues – Aspire (Review)”
Birds in Row are a French post-hardcore band and this is their second album.
Birds in Row play a form of post-hardcore that blends abrasive hardcore and punk influences, with angular noise/post-rock and experimental elements to form music that’s highly textured and filled with strong emotions. Continue reading “Birds in Row – We Already Lost the World (Review)”
Will Haven are a post-hardcore/sludge band from the US and this is their sixth album.
Will Haven specialise in playing music that effortlessly combines huge crushing riffs and punishing intensity with a compellingly emotive foundation to create highly evocative and engaging soundscapes. Continue reading “Will Haven – Muerte (Review)”
Hostile Array are a post-hardcore band from the US and this is their debut album.
This album contains 32 minutes of crisp, punchy music. With good songs and a mature presence, this is an album that doesn’t outstay its welcome and makes a very favourable impression. Continue reading “Hostile Array – Hostile Array (Review)”
Brond are a Bulgarian rock band and this is their debut album.
Brond’s music mixes riff-focused modern rock and post-hardcore/rock, with progressive, stoner, and noise/math rock tendencies. Wow. Now there’s a description. Delivering eight tracks across almost 44 minutes of music, Graveyard Campfire is a well-realised and enjoyable release, despite my mangling together of various subgenres in an attempt to loosely categorise it. Continue reading “Brond – Graveyard Campfire (Review)”
Death Engine are a French hardcore band and this is their second album.
I like Death Engine. Like, a lot. Mud was a massively enjoyable album of multifaceted, nuanced hardcore, showing a breadth of delivery and depth of substance that’s extremely rare to encounter outside of the mighty Converge. This should not be taken to mean that Death Engine sound like Converge, however. Continue reading “Death Engine – Place Noire (Review)”
Hundred Year Old Man are a post-metal/sludge band from the UK and this is their debut album.
Breaching contains almost 60 minutes of affecting, emotive material. With a post-metal approach to intensity the band wield their various influences to produce atmospheric sludge metal that’s a monolithic and immersive listening experience. Continue reading “Hundred Year Old Man – Breaching (Review)”
Dreamarcher are a Norwegian metal band and this is their latest EP.
Dreamarcher’s 2016 self-titled debut album was notable for its atypical approach to emotive heavy music. It was an enjoyable album, and Harding is even more so.
The impressive musical skills of the jazz-trained band members are put to good use across these 18 minutes of non-standard delivery and passionate intensity. Continue reading “Dreamarcher – Harding (Review)”
This is the debut album Greek post-hardcore/sludge band Chronoboros.
2015’s Dialing up the Clutter was an enjoyable, if brief, introduction to Chronoboros’ jagged, angular sound, and now they’re back with their first full length; 34 minutes of harsh noise and deliberate contrariness. Continue reading “Chronoboros – No Dirt or Silver Will Have Us Sated (Review)”
Tongues are a black metal band from Denmark and this is their debut album.
The band’s 2014 EP Thelésis Ignis was an extremely strong first release, making it onto my best of 2104 end of year list. The EP showcased the band’s compelling mix of black, death, and doom metal, one which they have refined further for Hreilia. Continue reading “Tongues – Hreilia (Review)”
Wonderbox Metal 