Myrkur is a one woman post-black metal band from Denmark. This is her second album.
I thoroughly enjoyed both Myrkur and M; their combination of raw, second wave black metal and folk, choral beauty was as well-judged as it was well-executed. However, if you thought M was the culmination of Myrkur’s style, and Mareridt would be just more of the same, you’d be mistaken. Continue reading “Myrkur – Mareridt (Review)”
This is the second album from Falaise, a black metal band from Italy.
A very much enjoyed the band’s debut album As Time Goes By, which was an hour of enjoyable blackgaze melancholy, with dark atmosphere and depressive moods. Continue reading “Falaise – My Endless Immensity (Review)”
Orbseven is a one-man post-black metal band from the US and this is his fourth album.
2014’s .ismos. was a creative and novel album that took various aspects of avant-garde, experimental, and post-black metal and forged them into something quite enjoyable and satisfying. Continue reading “Orbseven – Cosmos out of Chaos (Review)”
This is the latest EP from Swiss post-black metal band Schammasch.
Oh, Schammasch. You never quite know what they’re going to do next. Their last album, the colossal and immense Triangle, was so good it made it to the second position in my best of 2016 list.
Continue reading “Schammasch – The Maldoror Chants: Hermaphrodite (Review)”
Faunus is a one-man Greek black metal band and this is his debut album.
This is atmospheric black metal, with long songs that are inspired by the natural world. Each track is dedicated to a season and has its own atmosphere and character dedicated to exploring this theme; the artist seems to have gone to great lengths in an attempt Continue reading “Faunus – Where Everything Begins with an End (Review)”
Tombs are a US post-black metal band and this is their fourth album.
Both 2014’s Savage Gold and last year’s All Empires Fall were absolute top-quality releases from this very well-regarded band. Mixing black metal with a whole host of other styles and influences to create something all Continue reading “Tombs – The Grand Annihilation (Review)”
This is the latest EP by US black metallers Amiensus.
Following on from their very well-received earlier work, (Restoration, for example), Amiensus return with a 29 minute EP that’s their darkest, most-direct work yet. Continue reading “Amiensus – All Paths Lead to Death (Review)”
Haze of Summer’s debut album Znoi is a refreshing take on the current over-saturation of the worldwide black metal scene. This is an album that revels in corrupting black metal’s dark, grim base with lighter, summery moments, all the while staying surprisingly true to the originating style, while also going its own way down post-black metal pathways.
Do you know what? It works a treat, and Znoi is an extremely enjoyable listen.
Intrigued, and wanting to learn more about this enigmatic project, I caught up with the head man behind the band… Continue reading “Interview with Haze of Summer”
This is the debut album from White Ward, a Ukrainian post-black metal band.
This is post-black metal with avant-garde tendencies. However, this is a very simplistic description of what you’ll find on Futility Report; the music is anything but simple.
Mix Ihsahn, Ulver, Ephel Duath, Blut Aus Nord, Deafheaven, and Wolves in the Throne Room together, and you’ll still only have the barest glimpse of what White Ward play. Continue reading “White Ward – Futility Report (Review)”
This is the debut album from Polish post-black metallers Rosk.
Rosk play post-black metal with atmospheric, doom, and ambient influences. Continue reading “Rosk – Miasma (Review)”
Wonderbox Metal 