This is the second album from US hardcore band Deadguy.
It’s been 30 years since 1995’s classic Fixation on a Coworker, which is so much time that I can’t even think about it. Onto more positive things then, which is the 37-minute Near-Death travel Services. A new Deadguy album was not something I expected, but here we are, and I’m extremely happy with it let me tell you. Continue reading “Deadguy – Near-Death Travel Services (Review)”
This is the third album by Norwegian mathcore band Agabas.
How could you not see a band described in the promo blurb as a “brutal heavy deathjazz metal/mathcore quintet” and not want to check them out? Although, I note in the band pics there’s six people, so no idea what that’s about. Regardless, Hard Anger is a 36-minute melting pot of ideas and influences, so strap in tight and get ready for mayhem. Continue reading “Agabas – Hard Anger (Review)”
This is the third album from US hardcore band The Callous Daoboys.
Full of genre-splicing, creative sounds, and adventurous ideas, I Don’t Want to See You in Heaven is a 57-minute embarrassment of riches. It’s a diverse record, ripe with captivating riffs, reflective introspection, huge breakdowns, pop hooks, and much else. Continue reading “The Callous Daoboys – I Don’t Want to See You in Heaven (Review)”
This is the latest EP from US grindcore band Full of Hell.
A new 15 minutes of Full of Hell‘s scathingly charismatic grindcore? Hell yes! Broken Sword, Rotten Shield is a compendium of different influences, all brought together with the band’s consummate skill into seven adventurous tracks. It’s harsh, but delightful. Continue reading “Full of Hell – Broken Sword, Rotten Shield (Review)”
Eyes are a hardcore band from Denmark and this is their third album.
Throwing together noise rock and metal into a hardcore melting pot, Eyes have produced the 24-minute Spinner. Brought to us by members of the mighty LLNN, Spinner is the sort of album that’s an immensely fun and satisfying listen. Continue reading “Eyes – Spinner (Review)”
This is the debut album from US grindcore band No Heroes.
Now here’s an interesting release. Brood Eternal was created over the course of a decade, and mixes together elements of black metal, sludge, hardcore, grindcore, and noise. Yep, No Heroes, (who feature a member of Ashbringer), play a grim hybrid style, and I frequently end up really liking bands that throw all kinds of influences like this into a melting pot to end up with something really dark and nasty. Let’s have a taste then. Continue reading “No Heroes – Brood Eternal (Review)”
This is the fifth album from UK metallers Employed to Serve.
With every release Employed to Serve just seem to be getting better. This culminated in 2021’s Conquering, a record that made it onto my best of list of that year. Which is why expectation is high for the band’s latest 48-minute record Fallen Star. Continue reading “Employed to Serve – Fallen Star (Review)”
This is the second album from French post-black metallers Heir.
It has been a loooong time since 2017’s Au Peuple de l’Abîme. In fact, I had no idea that Terra Triumphans Jubila even existed until I was kindly pointed in its direction. So Heir are back, with a new lineup since their debut, and have brought 60 minutes of new material with them. Continue reading “Heir – Terra Triumphans Jubila (Review)”
Unfleshing are a blackened crust band from the US and this is their debut album.
Violent Reason is a 25-minute snarling monstrosity of black metal, hardcore, crust, and grindcore. Unfleshing’s debut record is a beast. Continue reading “Unfleshing – Violent Reason (Review)”
This is the fourth album from Danish deathcore band Cabal.
I really like Cabal, so was well chuffed when Everything Rots appeared on the horizon like a gathering storm. 2020’s Drag Me Down and 2022’s Magno Interitus were both first class examples of deathcore heaviness. The latter showed a progression in the band’s sound too, reducing the blackened influences. What will the 38 minutes of new material on Everything Rots reveal? Continue reading “Cabal – Everything Rots (Review)”
