Monolithe are a doom band from France and this is their seventh album.
I’m a big fan of Monolithe’s increasingly forward-thinking doom metal, (see here, here, here, and here), so I was excited to hear their newest opus. Continue reading “Monolithe – Nebula Septem (Review)”
Nortt is a one-man black/doom metal band from Denmark and this is his fourth album.
Here we have 40 minutes of black metal that’s been bent to the will of funeral doom and dark ambience. This is music to listen to in a lightless environment, preferably while staring up at the stars and contemplating how insignificant you are. Continue reading “Nortt – Endeligt (Review)”
Slow is a solo funeral doom band from Belgium and this is his fifth album.
From the man involved with bands such as We All Die (Laughing), COAG, Merda Mundi, Cult of Erinyes, and many others, this is 57 minutes of atmospheric funeral doom that’s come to drag you down into a bleak, watery abyss. Continue reading “Slow – V – Oceans (Review)”
Funeral Art are a black metal band from Guatemala and this is their seventh album.
This is occult, underground black metal, with ambient elements and a passing predilection for funeral doom. Continue reading “Funeral Art – Cuivië (Review)”
Djinn and Miskatonic are an Indian doom metal band and this is their second album.
2013’s Forever in the Realm was a charismatic and flavoured doom metal album that made a firm impression on me. It’s been far too long since we’ve had some more music from this notable band, but they’ve more than made Continue reading “Djinn and Miskatonic – Even Gods Must Die (Review)”
Bell Witch are a doom band from the US and this is their third album.
My my, what do we have here? One single colossally sprawling slab of grim funeral doom that lasts a monolithic 83 minutes? Yes please! Continue reading “Bell Witch – Mirror Reaper (Review)”
Pesthammer are a German funeral doom band and this is their debut release.
Now this is the stuff. I find it incredibly hard to dislike something like Trumpets of Dawn. All together now – DOOOOOOOOOOOOM! Continue reading “Pesthammer – Trumpets of Dawn (Review)”
Ophis are a German doom band and this is their fourth album.
I fell strongly for the sheer heaviness and prolonged darkness of Abhorrence in Opulence. This was an hour’s worth of supremely heavy and miserable music, and The Dismal Circle is little different in this regard.
This is Mesmur’s second album. They’re an international band and play atmospheric death/doom metal.
Featuring members of Dalla Nebbia, Mesmur play death/doom that offers the listener a little bit more than what they might usually expect to find for something with that appellation. Continue reading “Mesmur – S (Review)”
Usnea are a doom band from the US and this is their third release.
I must confess a deep love for Usnea at this point; all of their previous work thus far has been stunning, (check out Random Cosmic Violence and their split with Ruins as just a couple of examples. It’s also no surprise that they made it onto my best of 2014 end of year list). Continue reading “Usnea – Portals into Futility (Review)”
Wonderbox Metal 