This is the fifth album from German death metallers Slaughterday.
I really like Slaughterday. I’ve been following them since 2013’s very tasty Nightmare Vortex, through the following year’s Ravenous, 2016’s Laws of the Occult, 2018’s Abattoir, to their last album in 2020 – Ancient Death Triumph. Hold on though, it turns out Continue reading “Slaughterday – Dread Emperor (Review)”
This is the second album from Japanese death metallers Invictus.
Delivering 35 minutes of old-school death metal devastation, Nocturnal Visions arrives with the impact of a meteor. Invictus are not messing around. Apart from the seemingly mandatory pointless intro, there’s Continue reading “Invictus – Nocturnal Visions (Review)”
This is the second album from US death metal band Haxprocess.
Beyond What Eyes Can See contains 45 minutes of music divided into four epic songs. Haxprocess play progressive death metal, although that simple appellation doesn’t really due justice to what you’ll discover here. This record is a real beast. Continue reading “Haxprocess – Beyond What Eyes Can See (Review)”
This is the debut album from US death metal band Ancient Death.
I missed this back in April, but it’s come repeatedly recommended to the point where I had to check it out. I’m glad I did. Ego Dissolution contains 35 minutes of vibrant classic death metal, played so well that I can easily see why Ancient Death have created a bit of a buzz around themselves. Continue reading “Ancient Death – Ego Dissolution (Review)”
Necronomicon ex Mortis and Bloodfeast Ritual are both US death metal bands, and they have teamed up for this split release.
Bloodfeast Ritual share a guitarist with Necronomicon ex Mortis, and deliver two songs to start off the split, with a total duration of 14 minutes. Continue reading “Necronomicon ex Mortis/Bloodfeast Ritual – You’ve Got Red on You – Split (Review)”
This is the debut album from Swedish death metallers Retromorphosis.
Well, this was an instantly enticing proposition. It’s death metal brought to us by ex-members of Spawn of Possession, (four out of five of Retromorphosis’ members), and an ex-member of Decrepit Birth, which is enough to get anyone’s notice. However, when you look at their collective history though, you realise just how much experience they bring to the table – Alkaloid, Blood Red Throne, Deeds of Flesh, Defeated Sanity, Eschaton, Obscura, Necrophagist, Visceral Bleeding, and many others. What a list! Considering this, expectations are high for Psalmus Mortis, perhaps unfairly so. Continue reading “Retromorphosis – Psalmus Mortis (Review)”
Obscura are a death metal band from Germany and this is their seventh album.
2018’s Diluvium was a feast of modern technicality, while 2021’s A Valediction offered a melodic refresh of the Obscura sound that so many had come to love. So what does A Sonication bring us in 2025? Continue reading “Obscura – A Sonication (Review)”
The Spirit are a German black/death metal band and this is their fourth album.
Songs Against Humanity contains 42 minutes of material that combines the melodic strains of both black and death metal. It’s essentially Scandinavian melodic black metal with elements of death metal that provide a technical edge in places. Continue reading “The Spirit – Songs Against Humanity (Review)”
Vile Rites are a death metal band from the US and this is their debut album.
Vile Rites contain a member of Mortuous in their ranks, which is enough to get my attention. Senescence offers us 40 minutes of progressive death metal of a high quality. Some bands playing this sort of style get bogged down in the technicality, but for Vile Rites this is just an enabler, not the prime goal of the music. Continue reading “Vile Rites – Senescence (Review)”
This is the third album from US death metal band Obscene.
I enjoyed 2020’s The Inhabitable Dark and 2022’s …From Dead Horizon to Dead Horizon, so knew that Agony & Wounds was destined for my earholes. Obscene vomit forth 42 new minutes of material on this new platter, and if you liked their earlier stuff, then you should very much like this too. Continue reading “Obscene – Agony & Wounds (Review)”
Wonderbox Metal 