Locust Leaves are a Greek avant-garde/progressive black metal band and this is their debut album.
This is black metal that embraces classic, thrash and progressive metal in its search for a perfect form of artistic expression. Continue reading “Locust Leaves – A Subtler Kind of Light (Review)”
This is the second album from US doom metal band Khemmis.
Khemmis’ debut album, Absolution, was one of my favourite releases of 2015, and has continued to be a firm-favourite of mine ever since first hearing it.
Continuing on with their style of combining traditional doom metal with sludge metal, the songs on Hunted are a tad longer, allowing the band more room to explore and expand on their core style.
The singer puts in a sterling performance once more. Continue reading “Khemmis – Hunted (Review)”
This is the eleventh album from these US death metal veterans.
Abominant’s last album, Onward to Annihilation, was one of the better albums of 2013, so I had high hopes for Napalm Reign. I have not been disappointed.
The band play an underground death metal style that has both thrash and black metal elements, as well as even some power metal ones. This last aspect of their sound was evident on one track on Onward to Annihilation, and although it’s still only a very small part of their sound, it’s developed a little further Continue reading “Abominant – Napalm Reign (Review)”
This is the début album from this Italian death/thrash metal band.
Gnosis mixes the death and thrash styles and adds a bit of progressive metal into the mix as well.
The songs merge their thrash and death metal heritages together, taking aspects from both and adding some progressive structures into the gritty mix. There are some classic metal Continue reading “Psycho Scream – Gnosis (Review)”
This is the seventh album from this US metal band.
I’ve always enjoyed Devildriver’s combination of modern metal, melodic death metal, thrash metal, NWOAHM, classic metal, nu-metal and crushing groove metal. Sure, they’ve had their ups and downs over the years with some albums being noticeably stronger than others, but they’ve always had enough meat on their metal bones to make me happy to listen to them in some capacity or other.
This moves us onto Continue reading “Devildriver – Trust No One (Review)”
Synthetic are a Metal band from the UK and this is their début album.
This is modern melodic Metal that features a EuroMetal style with aspects of Scandinavian melodeth. There’s a bit more depth involved to these songs than you might expect from the description, however, as the band also incorporate elements of classic and progressive Metal, allowing them to stand out from the pack a bit more than the average proponent of this type of music. Continue reading “Synthetic – Here Lies the Truth (Review)”
Veil of Deception are a Metal band from Austria. This is their second album.
This is Groove Metal with a Thrash edge, in the vein of Pantera, Sevendust, Breed 77 and mid-phase Anthrax, mixed with a bit of an Alternative Metal approach.
Heavy riffs and lighter leads form the bedrock of the band’s sound. Their approach is a little different to the average Groove Metal band though, eschewing the more Modern Metal approach and instead incorporating elements of Classic and Heavy Metal into their sound.
The singer is a great example of this – he has a cleaner, more Heavy Metal style than you’d probably expect from a band of this ilk. It adds an authentic edge to the music, as well as a good Rock sensibility on occasion.
Well, this is quite an unexpected turn of events. There I was, expecting Metalcore, (based on the cover, logo and band description), when what I actually got has more in common with 90s Alternative Metal than 00s Metalcore. It’s a welcome change of pace and the band are to be commended for not taking a more obvious route with their style.
This doesn’t mean there aren’t any issues with Tearing up the Roots; overall the songs are enjoyable slabs of Metal, but the songwriting could do with a bit of tightening up in places.
All in all, this is an enjoyable release though; one that makes me feel a bit nostalgic in places too. Not many bands play this kind of thing any more, as it’s too Classic Metal for the Modern Metal crowds and too groove-laden for the Classic Metal crowds. It’s an interesting release and it certainly gets better with repeated spins as the riffs, melodies and vocals work themselves into your brain.
Not bad at all. Check it out.
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Nyx are a Black Metal band from Germany and this is their début album.
Featuring only two members, Nyx make an impressive début that would do justice to a full band.
The music on this 45 minute album is quite varied and features elements of different sub-genres as well as the core of Black Metal that they play so well.
A few Classic Metal licks appear here and there, as well as a decent Post-Metal influence, especially in some of the guitar melodies. There’s enough of this ethereal, transcendental influence to label this Post-Black Metal, although the icy, frozen core of the pure style is still here, corrupting it so that it’s projected out through the prism of urban decay.
The singer’s screamed vocals are ridiculously strong; her voice is blood-curdling and powerful in the best tradition of Black Metal shrieking. Cleaner vocalisations are also used and these add emotional content and a rather ritualistic, sinister aura on occasion. These too are powerful and have real presence. Occasionally they even add in a bit of a more traditional clean singing style, and these parts sound just as good as everything else.
The songs are barbed, twisted and full of unexpected subtlety and shading. There’s a lot of ideas on display throughout these 9 tracks and the band have produced an album that has both immediate impact and lasting depth. The production is sharp and serrated, allowing the music to showcase its dangerous edge.
This is not a run-of-the-mill release, this is sophisticated Black Metal Art.
Very impressive.
This is the second album from US Modern Metal band Devil You Know.
Featuring ex-members of such high-profile bands as Killswitch Engage, Divine Heresy, All Shall Perish and Bleeding Through, you know there’s a wealth of experience and talent behind this album before you even press play.
When you do press play, I like that there’s no messing around with pointless intros or anything like that; it’s straight into the double-bass led action, with plenty of heaviness and groove.
The singer is on fine form. Whether he was shouting at the top of his voice in Killswitch Engage or Blood Has Been Shed, he has always had a top-rate set of lungs. The majority of his work on They Bleed Red is angry and harsh shouting, although other variations are also used, as well as his clean singing voice.
The music is heavy and full of rhythmic Metal that also takes influences from both Metalcore’s beatdowns and the more extreme, faster side of Modern Metal. Although it’s all thoroughly modern and new-sounding, they still find the time to add in some more Classic Metal influences, including the odd guitar solo.
The production, as should be expected from a band like this, is huge and crushing. Bands like this need a strong sound as otherwise the power of some the riffs can easily be distilled. No such worry here, of course, and you can feel every guitar riff and drum beat.
They Bleed Red is a good combination of the more commercial side of Metal mixed with a heavier, more extreme sensibility. It’s too heavy and shouty to be as popular as a band like Killswitch Engage, but it’s got a commercial edge and songwriting-calibre that will see it snapped up by those who like some catchy songs with their heaviness.
Give it a listen and see what you think.
Ram are a Swedish Heavy Metal band and this is their fourth album.
This is Classic/Traditional Heavy Metal with a solid sound and songs aplenty.
The style of the music and the singer’s commanding voice takes me back to the days when I was first discovering Heavy Metal. This is straight-ahead Metal with enough influences from the likes of Judas Priest and Iron Maiden to keep any Metal fan happy, although it should be stated that Ram have enough personality of their own to avoid Svbversvm coming across as pure hero-worship.
The songs are catchy and do have hooks, but it’s not quite as obvious an affair as you might imagine. Although these elements are here, Ram seem to take more pride in creating songs that work holistically and create a good Metal atmosphere, rather than concentrating on the specifics of individual song parts. This is not to say they don’t have decent riffs and choruses, (they do), but it’s the song as a whole that’s important rather than just parts of it. For me, this approach works and increases the longevity and depth of the songs.
Having said all that though, songs like Holy Death are just pure wonderous aural-sugar and catchy as fuck, so there you go.
The singer’s style and his performance is resolutely Old-School, with his projected attitude and confidence being almost as important as his vocal skills. He knows how to sing that’s for sure, but like the music the emphasis is on feeling and delivery, rather than shiny harmonies and sing-along choruses; after all, this is resolutely Heavy Metal, not Power Metal.
Thankfully they have chosen to present all of this in a solid production that doesn’t over-emphasise the Old-School nature of their style. It’s a thoroughly modern recording that has enough grit and dust to ensure they don’t come across as too polished, while still giving the songs the respect and power they deserve. It’s well-judged, as too much one way or the other would have been to the album’s detriment, I feel.
I like this kind of Heavy Metal; yes there’s a nostalgia factor to it, but ultimately this is a contemporary Metal band existing in 2015 and producing quality music for fans of the classic style. The fact that they do it very well is a bonus.
At 50 minutes in length, this album is a very enjoyable listen and Ram are a most welcome addition to my music collection.
Hail!
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