This is the fourth album from Spanish black/death metal band Teitanblood.
From the Visceral Abyss is a 52-minute tornado of violence and destruction. Teitanblood don’t mess around, and this is a punishing record of black/death metal barbarity that’s unexpectedly moreish. Continue reading “Teitanblood – From the Visceral Abyss (Review)”
Osgraef are a black/death metal band and this is their debut album.
Osgraef mix black, death, doom, and war metal into a 42-minute expression of mysterious brutality. Reveries of the Arcane Eye is a ball of raging potency and deep obscure atmosphere. Continue reading “Osgraef – Reveries of the Arcane Eye (Review)”
This is a split between two US black metal solo acts.
We start off with Genital Shame; two tracks in eight minutes. This is not a band I know. Lust Hag drew me to this split in the first place, of course, but having now heard these two songs, I am not disappointed in what the artist behind Genital Shame has to offer. Continue reading “Genital Shame/Lust Hag – Split (Review)”
Veilburner are a black/death metal band from the US and this is their seventh album.
A new Veilburner album is always an exciting prospect. I’ve been a fan since 2016’s The Obscene Rite, but it was 2022’s VLBRNR that really saw them reach their true potential in my eyes. Now we have The Duality of Decapitation and Wisdom‘s 49 minutes upon us, and I’m ready to fall into Veilburner’s well-realised world once more. And, this time, it’s stranger than ever. Continue reading “Veilburner – The Duality of Decapitation and Wisdom (Review)”
The Spirit are a German black/death metal band and this is their fourth album.
Songs Against Humanity contains 42 minutes of material that combines the melodic strains of both black and death metal. It’s essentially Scandinavian melodic black metal with elements of death metal that provide a technical edge in places. Continue reading “The Spirit – Songs Against Humanity (Review)”
Black Curse are a US black/death metal band and this is their second album.
Following on from 2020’s hideously good Endless Wound, comes the 45-minute monstrosity that is Burning in Celestial Poison. Featuring five tracks that are mostly far longer than their predecessors, Black Curse have unleashed a severe statement of malevolent intent with their new record. Continue reading “Black Curse – Burning in Celestial Poison (Review)”
Invocation are a black/death metal band from Chile and this is their debut album.
Invocation impressed me with their 2016 demo release Seance – Part: 1, so it’s great to finally have a full album off them, a mere eight years later, (the band haven’t been idle though, as they’ve released two EPs during that time). Continue reading “Invocation – The Archaic Sanctuary (Ritual Body Postures) (Review)”
This is the debut album from Deathless Void, a black metal band from the Netherlands.
The Voluptuous Fire of Sin contains 39 minutes of aggressive black metal. Deathless Void play a style that manages to incorporate a few mutually complementary elements into itself, enriching its hostility with greater depth and range. Continue reading “Deathless Void – The Voluptuous Fire of Sin (Review)”
This is the second album from German solo black/death metal act Kanonenfieber.
Brought to us by the artist behind Leiþa and Non Est Deus, Die Urkatastrophe unleashes 53 minutes of fierce black/death metal. The artist behind Kanonenfieber has cemented once again why many people rate his output so highly. Continue reading “Kanonenfieber – Die Urkatastrophe (Review)”
God Dethroned are a blackened death metal band from the Netherlands, and this is their twelfth album.
God Dethroned may have been around for over three decades, but they’ve lost none of their fiery intensity. The Judas Paradox contains 44 minutes of their well-crafted brand of blackened death metal, showing once again what they’re capable of. Continue reading “God Dethroned – The Judas Paradox (Review)”
Wonderbox Metal 