Diktatur are a French black metal band and this is their latest EP.
Do you like black metal that’s raw, sharp and full of aggression? If so, then you should check out Diktatur’s latest release.
This is a band that have a traditional, vicious sound with enough elements of Continue reading “Diktatur – L’Agonie d’un Monde (Review)”
Athos is a one-man Greek black metal band and this is his fourth album.
Here we have almost 40 minutes of authentic second wave black metal for your delectation.
Scathing blackened melodies slice like razor blades through the frosted Continue reading “Athos – Noht Lerapot (Review)”
This is the latest EP from one-man black metal band Råttkung, who hails from Denmark.
Råttkung’s debut EP Dark Is the Beginning was 17 minutes of raw, underground black metal that reached back to the early days of the second wave for inspiration.
In some ways this influence is continued on this latest short release, but we also see another side to Råttkung too. Here we get a mere three songs in 10 minutes, but what this EP lacks in length it makes up for in blackened malice and ambition. Continue reading “Råttkung – Unborn Undead (Review)”
Omnizide’s latest release Nekroregime is a blackened assault on the senses. The band play blisteringly fast and mid-paced blackened groove equally as well as each other, and the entire album is a dark and sinister treat. Continue reading “Interview with Omnizide”
This is the fourth album by Swedish black metal band Grafvitnir.
Influenced by the second wave of black metal, Grafvitnir take the traditional template and for 39 minutes bend this to their will, providing the listener with sophisticated brutality and thoughtful harshness. Continue reading “Grafvitnir – Obeisance to a Witch Moon (Review)”
This is the third album from Ukrainian black metal band Balfor.
This is upbeat black metal that uses blackened melodies and aspects of death metal as weapons in the war against their enemies. If you’re looking for music that’s direct and aggressive, yet still has depth and longevity, you’ve come to the right place. Continue reading “Balfor – Black Serpent Rising (Review)”
Yes, it’s that time of year again. 2016 has been a phenomenal year in terms of metal releases, and here I’d like to pay tribute to my top 25.
As always, it was very tough to compile this list into any form of decent order, and I’m sure, (again, as always), that if I were to do this again, the list would look quite different.
I’ve limited the list to a mere 25 releases, so there are necessarily sooooo many good ones that have been missed out. Below are a selection of some of my other favourite releases of 2016, all of which made it into some previous version of my top 25 before I settled on the final one – Continue reading “Wonderbox Metal End of Year List – Best Metal of 2016”
This is the latest EP from US black metallers Thralldom.
Returning after an absence of a decade, the band have re-cast themselves and emerge as a reborn, terrifying proposition. Thralldom’s black metal delivers us a 28 minute release that sounds quite disturbing and individual. Continue reading “Thralldom – Time Will Bend into Horror (Review)”
Mayhem are a Norwegian black metal band, but do they really need any introduction?
In case the cave that you inhabit doesn’t get wifi, this is the live incarnation of the band’s 1994 landmark debut album De Mysteriis Dom Sathanas. This is a black metal must-have, of course, so you already know that the songs on this live version are absolute classics, so all that remains to discuss, really, is the band’s performance and the quality of the live recording. Continue reading “Mayhem – De Mysteriis Dom Sathanas Alive (Review)”
This is the latest EP from Gravespawn, a black metal band from the US.
This is cold, malignant black metal that draws influence from the second wave era and successfully and authentically produces five songs of enjoyably grim orthodoxy.
As a side note – it’s worth mentioning, I suppose, that at 33 minutes in length this EP is actually longer than some albums. Continue reading “Gravespawn – Inexorable Grimness (Review)”
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