Omnizide’s latest release Nekroregime is a blackened assault on the senses. The band play blisteringly fast and mid-paced blackened groove equally as well as each other, and the entire album is a dark and sinister treat. Continue reading “Interview with Omnizide”
This is the fourth album by Swedish black metal band Grafvitnir.
Influenced by the second wave of black metal, Grafvitnir take the traditional template and for 39 minutes bend this to their will, providing the listener with sophisticated brutality and thoughtful harshness. Continue reading “Grafvitnir – Obeisance to a Witch Moon (Review)”
This is the third album from Ukrainian black metal band Balfor.
This is upbeat black metal that uses blackened melodies and aspects of death metal as weapons in the war against their enemies. If you’re looking for music that’s direct and aggressive, yet still has depth and longevity, you’ve come to the right place. Continue reading “Balfor – Black Serpent Rising (Review)”
Yes, it’s that time of year again. 2016 has been a phenomenal year in terms of metal releases, and here I’d like to pay tribute to my top 25.
As always, it was very tough to compile this list into any form of decent order, and I’m sure, (again, as always), that if I were to do this again, the list would look quite different.
I’ve limited the list to a mere 25 releases, so there are necessarily sooooo many good ones that have been missed out. Below are a selection of some of my other favourite releases of 2016, all of which made it into some previous version of my top 25 before I settled on the final one – Continue reading “Wonderbox Metal End of Year List – Best Metal of 2016”
This is the latest EP from US black metallers Thralldom.
Returning after an absence of a decade, the band have re-cast themselves and emerge as a reborn, terrifying proposition. Thralldom’s black metal delivers us a 28 minute release that sounds quite disturbing and individual. Continue reading “Thralldom – Time Will Bend into Horror (Review)”
Mayhem are a Norwegian black metal band, but do they really need any introduction?
In case the cave that you inhabit doesn’t get wifi, this is the live incarnation of the band’s 1994 landmark debut album De Mysteriis Dom Sathanas. This is a black metal must-have, of course, so you already know that the songs on this live version are absolute classics, so all that remains to discuss, really, is the band’s performance and the quality of the live recording. Continue reading “Mayhem – De Mysteriis Dom Sathanas Alive (Review)”
This is the latest EP from Gravespawn, a black metal band from the US.
This is cold, malignant black metal that draws influence from the second wave era and successfully and authentically produces five songs of enjoyably grim orthodoxy.
As a side note – it’s worth mentioning, I suppose, that at 33 minutes in length this EP is actually longer than some albums. Continue reading “Gravespawn – Inexorable Grimness (Review)”
This is the third album from Ukrainian experimental black metal band Balance Interruption.
All I knew about this band before I listened to them was that they were a black metal band of some description. As such, I was not prepared at all for what I found inside Door 218.
Here we have an album that might not sound as you expect it to upon hearing the black metal tag. Yes, a lot of the familiar elements are present and correct, but there’s a lot of unusual aspects to the music too. Continue reading “Balance Interruption – Door 218 (Review)”
This is the debut album from Ukrainian blackened death/doom band 1914.
I really enjoyed this band’s 2016 split with Minenwerfer, so thought it was time to catch up with their 2015 full-length album Eschatology of War.
With a World War I theme, Eschatology of War is a heavy, martial beast that relentlessly marches forwards overcoming all opposition with strength of numbers and a formidable will. Continue reading “1914 – Eschatology of War (Review)”
This is Ultha’s second album. They are a black metal band from Germany.
Now this is quite the find. Mixing elements of Burzum, Emperor, Wolves in the Throne Room and Lycus, Ultha mix old and new black metal with some crushing doom influences to produce 63 minutes of bleak melancholy and dark allure. Continue reading “Ultha – Converging Sins (Review)”
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