Kamra – Unending Confluence (Review)

Kamra - Unending ConfluenceKamra are a black metal band from Slovenia and this is their second album.

Kamra have a member of Assumption in their ranks, and Unending Confluence contains 41 minutes of music. This is black metal influenced by the old-school, but dragged by lethal dissonance into the modern era. Continue reading “Kamra – Unending Confluence (Review)”

Imperial Triumphant – Goldstar (Review)

Imperial Triumphant - GoldstarThis is the sixth album from US avant-garde black/death metal band Imperial Triumphant.

Imperial Triumphant always make a fascinating record. Check out any of their albums, (such as 2020’s Alphaville or 2022’s Spirit of Ecstasy and you’ll be in an unfamiliar world of avant-garde experimentation and gilded individuality. Continue reading “Imperial Triumphant – Goldstar (Review)”

Veilburner – The Duality of Decapitation and Wisdom (Review)

Veilburner - The Duality of Decapitation and WisdomVeilburner are a black/death metal band from the US and this is their seventh album.

A new Veilburner album is always an exciting prospect. I’ve been a fan since 2016’s The Obscene Rite, but it was 2022’s VLBRNR that really saw them reach their true potential in my eyes. Now we have The Duality of Decapitation and Wisdom‘s 49 minutes upon us, and I’m ready to fall into Veilburner’s well-realised world once more. And, this time, it’s stranger than ever. Continue reading “Veilburner – The Duality of Decapitation and Wisdom (Review)”

Ingurgitating Oblivion – Ontology of Nought (Review)

Ingurgitating Oblivion - Ontology of NoughtThis is the third album from German extreme metal band Ingurgitating Oblivion.

It’s been some time since Ingurgitating Oblivion terrified the world with their malignant presence. 2014’s Continuum of Absence showed great promise, which was then realised on 2017’s colossal Vision Wallows in Symphonies of Light. The wait is now over, for Ontology of Nought brings us a massive 73 minutes of darkness. It’s time to step into the nightmare once more. Continue reading “Ingurgitating Oblivion – Ontology of Nought (Review)”

Pyrrhon – Exhaust (Review)

Pyrrhon - ExhaustThis is the fifth album from Pyrrhon, an extreme metal band from the US.

Whatever you want to call it – progressive, dissonant, experimental, avant-garde, etc. – Pyrrhon are not your average band. Their music is atypical and envelope-pushing, while retaining enough death metal sinew amidst the jazz and hardcore influences to propel their extreme metal output forward with creative intensity. Continue reading “Pyrrhon – Exhaust (Review)”

Evilyn – Mondestrunken (Review)

Evilyn - MondestrunkenEvilyn are an international death metal band and this is their debut album.

Evilyn play a form of death metal with strong avant-garde/dissonant leanings. Mondostrunken contains 36 minutes of material, showcasing a band that have honed their vision into an atypical beast. Continue reading “Evilyn – Mondestrunken (Review)”

Ulcerate – Cutting the Throat of God (Review)

Ulcerate - Cutting the Throat of GodThis is the seventh album from New Zealand death metal act Ulcerate.

Following on from 2016’s Shrines of Paralysis and 2020’s Stare into Death and Be Still, the mighty Ulcerate have now returned with the 58-minute Cutting the Throat of God. Continue reading “Ulcerate – Cutting the Throat of God (Review)”

Aseitas – Eden Trough (Review)

Aseitas - Eden TroughThis is the third album from US death metal band Aseitas.

2020’s False Peace was a mammoth album, brimming with ideas, boasting 11 tracks, and lasting 72 minutes. On Eden Trough Aseitas trim down to a more manageable 5 tracks and a much-shorter 30 minutes, leading me to wonder if their experimental death metal is still as multifaceted and layered as it was previously? Continue reading “Aseitas – Eden Trough (Review)”

Devourer – The Wicked Ones (Review)

Devourer - The Wicked OnesDevourer are a black/death metal band from Sweden and this is their fifth album.

Devourer immediately struck a chord with me on their 2017 album Across the Empty Plains. Since then, they have also produced 2019’s Dawn of Extinction and 2022’s Raptus, both quality records that continued to showcase Devourer as a force to be reckoned with. The band are now back with The Wicked Ones, and sound more focused than ever. Continue reading “Devourer – The Wicked Ones (Review)”