Nightmarer are an international death metal band and this is their latest EP.
Following on from 2023’s Deformity Adrift, Nightmarer have returned with four new tracks of brutal avant-garde death metal. Hell Interface is a 21-minute granite-hard slab of dissonant blades and venomous technicality. Continue reading “Nightmarer – Hell Interface (Review)”
This is the debut album from Finnish death metal band Ligation.
After Gods is billed as a full album, although it actually only contains 24 minutes of new music, spread over five tracks. However, there’s also a version with three additional bonus tracks that have been taken from Ligation’s previous two split releases, which brings the total up to 41 minutes. Either way, it’s an unconventional approach, but then Ligation’s music is unconventional too. Continue reading “Ligation – After Gods (Review)”
Kamra are a black metal band from Slovenia and this is their second album.
Kamra have a member of Assumption in their ranks, and Unending Confluence contains 41 minutes of music. This is black metal influenced by the old-school, but dragged by lethal dissonance into the modern era. Continue reading “Kamra – Unending Confluence (Review)”
Malevich are a screamo/sludge metal band from the US and this is their third album.
Under a Gilded Sun is the 39-minute follow up to 2019’s Our Hollow, and reveals a band that have spend their time wisely between albums. Malevich have impressed with this latest collection of songs. Continue reading “Malevich – Under a Gilded Sun (Review)”
This is the sixth album from US avant-garde black/death metal band Imperial Triumphant.
Imperial Triumphant always make a fascinating record. Check out any of their albums, (such as 2020’s Alphaville or 2022’s Spirit of Ecstasy and you’ll be in an unfamiliar world of avant-garde experimentation and gilded individuality. Continue reading “Imperial Triumphant – Goldstar (Review)”
Veilburner are a black/death metal band from the US and this is their seventh album.
A new Veilburner album is always an exciting prospect. I’ve been a fan since 2016’s The Obscene Rite, but it was 2022’s VLBRNR that really saw them reach their true potential in my eyes. Now we have The Duality of Decapitation and Wisdom‘s 49 minutes upon us, and I’m ready to fall into Veilburner’s well-realised world once more. And, this time, it’s stranger than ever. Continue reading “Veilburner – The Duality of Decapitation and Wisdom (Review)”
This is the third album from German extreme metal band Ingurgitating Oblivion.
It’s been some time since Ingurgitating Oblivion terrified the world with their malignant presence. 2014’s Continuum of Absence showed great promise, which was then realised on 2017’s colossal Vision Wallows in Symphonies of Light. The wait is now over, for Ontology of Nought brings us a massive 73 minutes of darkness. It’s time to step into the nightmare once more. Continue reading “Ingurgitating Oblivion – Ontology of Nought (Review)”
This is the fifth album from Pyrrhon, an extreme metal band from the US.
Whatever you want to call it – progressive, dissonant, experimental, avant-garde, etc. – Pyrrhon are not your average band. Their music is atypical and envelope-pushing, while retaining enough death metal sinew amidst the jazz and hardcore influences to propel their extreme metal output forward with creative intensity. Continue reading “Pyrrhon – Exhaust (Review)”
Evilyn are an international death metal band and this is their debut album.
Evilyn play a form of death metal with strong avant-garde/dissonant leanings. Mondostrunken contains 36 minutes of material, showcasing a band that have honed their vision into an atypical beast. Continue reading “Evilyn – Mondestrunken (Review)”
This is the seventh album from New Zealand death metal act Ulcerate.
Following on from 2016’s Shrines of Paralysis and 2020’s Stare into Death and Be Still, the mighty Ulcerate have now returned with the 58-minute Cutting the Throat of God. Continue reading “Ulcerate – Cutting the Throat of God (Review)”
Wonderbox Metal 