This is the third album from Timeworn, a Norwegian sludge metal band.
This is riff-friendly sludge metal, with both a hardcore influence and an atmospheric one. There’s a mix of the harsh and the beautiful here, which is weighted towards the energetic former, but the latter is still an important part of the band’s sound too. Continue reading “Timeworn – Leave the Soul for Now (Review)”
Fjords are a progressive metal band from the UK and this is their debut album.
Onirica is an interesting and wide-ranging album, spanning, as it it does, elements of melodic doom and death metal, (think bands such as Katatonia, Opeth, and Agalloch), as well as more modern progressive and atmospheric metal. The end result is a curious mix of old and new, wrapped up in a professional, polished package that allows the band to be displayed in their best light. Continue reading “Fjords – Onirica (Review)”
This is the second album from Iapetus, a progressive death metal band from the US.
2017’s The Long Road Home impressed with its colossal take on atmospheric, progressive, melodic death metal. Now, in 2019, the band have returned with an even more professional delivery and production, one which features the percussive skill of the drummer of Ne Obliviscaris too. As for the music? Well, it’s simply breathtakingly good. Continue reading “Iapetus – The Body Cosmic (Review)”
Well, there were so many high quality albums that came out in April it was quite impressive. I had a shortlist of 20 that I wanted to highlight, but decided that 20 was a bit too excessive. So, after great pained deliberation, I give you the ten below… Continue reading “Monthly Overview – the Best of April 2019”
Old Night are a Croatian doom metal band and this is their second album.
So, I absolutely adored Old Night’s debut album Pale Cold Irrelevance, and it made it into my best of 2017 list. As such, expectations were running high for the band’s second album.
I’m pleased to say that A Fracture in the Human Soul has more than satisfied me. Continue reading “Old Night – A Fracture in the Human Soul (Review)”
Varaha are an atmospheric metal band from the US and this is their debut album.
This album contains 69 minutes of music that merges blackgaze, doom, post-black, Gothic, and post-metal together into a beguiling and affecting package. Continue reading “Varaha – A Passage for Lost Years (Review)”
Dead to a Dying World are a blackened doom band from the US and this is their third album.
2015’s Litany was a sprawling, ambitious album. It was also very good, although this new release is something quite new and special in some ways. The band have returned with the even more expansive and developed Elegy. Showing greater focus of delivery, (49 minutes vs Litany’s 73), Elegy is also wider ranging and boasts Continue reading “Dead to a Dying World – Elegy (Review)”
This is the fourth album from UK atmospheric/post-metal band Latitudes.
Having enjoyed 2016’s Old Sunlight, when Part Island made its presence felt I was compelled to sample its delights. I’m glad I did, as Part Island is a stunningly well-realised development of the band’s sound. Continue reading “Latitudes – Part Island (Review)”
Dvne are a progressive metal/doom/sludge band from the UK and this is their debut album.
Here we have a little over 60 minutes of music from a talented UK band that have only just properly come to my attention, despite a friend of mine telling me to check them out when this album was originally released in 2017. It’s definitely my loss, as Asheran is ambitious and huge in all of the best ways. Continue reading “Dvne – Asheran (Review)”
Wrack is a one man progressive/post-metal band from the US.
Here we have 28 minutes of heavy, angular, jagged music. It starts strong, continues to be strong, and ends strong. Yep, this is a very strong release indeed. Continue reading “Wrack – Hollow Sun (Review)”
Wonderbox Metal 