Vorga – Beyond the Palest Star (Review)

Vorga - Beyond the Palest StarThis is the second album from Vorga, a German black metal band.

With 2022’s Striving Toward Oblivion Vorga made a notable impact in the world of melodic black metal. Now they’re back with Beyond the Palest Star, which delivers another sci-fi trip through 43 minutes of sharp melodic aggression. Continue reading “Vorga – Beyond the Palest Star (Review)”

Dödsrit – Nocturnal Will (Review)

Dödsrit - Nocturnal WillThis is the fourth album from Swedish black metal band Dödsrit.

Whereas each of Dödsrit’s well-regarded previous albums, (including 2018’s top notch Spirit Crusher), contained four songs, Nocturnal Will breaks with tradition and delivers six tracks in total, (although to be fair one is a sub-minute interlude). Continue reading “Dödsrit – Nocturnal Will (Review)”

Acathexis – Immerse (Review)

Acathexis - ImmerseThis is the second album from Acathexis, an international black metal band.

Acathexis is given dark life by Jacob Buczarski(, the artist behind the amazing Mare Cognitum), the insanely prolific Déhà, (COAGCult of Erinyes, Silver Knife, Slow, We All Die (Laughing), and many others), and a singer from some bands I don’t know, (Dany Tee, from Los Males del Mundo and Seelenmord). Immerse may only have four songs, but with a total duration of 50 minutes, there’s a lot here to delve deeply into. The album is Well-named, and the songs are sprawling and immersive. Continue reading “Acathexis – Immerse (Review)”

Etoile Filante – Mare Tranquillitatis (Review)

Etoile Filante - Mare TranquillitatisEtoile Filante are a French black metal band and this is their second album.

Mare Tranquillitas has a duration of 40 minutes and showcases Etoile Filante’s brand of ambient/atmospheric black metal. Continue reading “Etoile Filante – Mare Tranquillitatis (Review)”

Obsidian Tongue – The Stone Heart (Review)

Obsidian Tongue - The Stone HeartThis is the latest EP from US black metal band Obsidian Tongue.

I’ve never properly reviewed anything by Obsidian Tongue, although I did love 2020’s Volume III and included it here. My very brief overview of “Highly accomplished atmospheric black metal with a voice of its own.” still applies, and The Stone Heart is definitely one to check out if you’re a fan of bands such as Agalloch, Wolves in the Throne Room, Wilt, Alda, etc. Continue reading “Obsidian Tongue – The Stone Heart (Review)”

Solbrud – IIII (Review)

Solbrud - IIIISolbrud are a black metal band from Denmark and this is their fourth album.

IIII is an album of four parts, each written by one of Solbrud’s four band members. The end result is an ambitious album with an imposing length – 94 minutes – that takes the listener on a compelling journey into a vast atmospheric black metal vistas. Continue reading “Solbrud – IIII (Review)”

Olhava – Sacrifice (Review)

Olhava - SacrificeOlhava are a Russian ambient/post-black metal band and this is their sixth album.

It’s always a pleasure to hear a new Olhava album. I thoroughly enjoyed both 2021’s Frozen Bloom and 2020’s Reborn, so am more than happy to be able to experience the immersive immensity of Sacrifice. Sacrifice offers a rich feast of atmospheric, ambient, and post-black metal/blackgaze. Continue reading “Olhava – Sacrifice (Review)”

Vemod – The Deepening (Review)

Vemod - The DeepeningThis is the second album from Norwegian black metallers Vemod.

The Deepening contains 48 minutes of dark blackened worldscapes. It’s the sort of record that is worth exploring in a thorough and comprehensive manner, as there are many rewards to be had within its beautifully coated exterior. Continue reading “Vemod – The Deepening (Review)”

Wonderbox Metal End of Year List – Best Metal of 2023

Welcome to my annual attempt to make sense of the ridiculous amount of good metal albums out there, awaiting discovery by intrepid metal explorers.

2023’s best of list has been one of the more difficult ones to put together, placing-wise, which is one of the reasons that I’m posting it later than I usually do. Even more so than normal many of the slots are interchangeable, and I especially struggled with positions two-nine – if such a thing were possible, they all deserve to be higher! In the end I decided to stop overthinking it and go with my gut, but the usual caveat of these lists being very subjective and subject to change depending on mood, feelings, etc. is larger than normal here.

There are some notable acts missing form the below. Not because they’re not worthy of inclusion, but because there are only so many spaces to be had. In fact, I almost ended up limiting this list to 20, rather than the now-customary 30, as I found it really difficult to know who to include and who not to. In the end I went with the standard 30 so that I could promote a few extra bands, as they absolutely all deserve it.

As for the top position, I wasn’t expecting it to be filled by a band I’d never heard before, playing a style that I don’t listen to as much as I used to. However, I suppose after last year, I shouldn’t have been too surprised.

I do hope you enjoy this list and find some new music to obsess over. Like always, thanks for your support if you have ever visited this site before, and here’s to a great 2024 for as many of us as possible. Continue reading “Wonderbox Metal End of Year List – Best Metal of 2023”

Árstíðir Lífsins – Hermalausaz (Review)

Árstíðir Lífsins - HermalausazThis is the latest EP from Árstíðir Lífsins, an international, (Germany/Iceland), black metal band.

Following on from 2020’s epic Saga á tveim tungum II: Eigi fjǫll né firðir comes an equally epic EP. Despite containing only two songs, Hermalausaz is an album-length release at 43 minutes in duration, and packs a lot of content into its extended running time. Continue reading “Árstíðir Lífsins – Hermalausaz (Review)”