All Pigs Must Die – Wonderbox Metal

Mastiff – For All the Dead Dreams (Review)

This is the latest EP from UK hardcore/sludge metallers Mastiff.

A new Mastiff release is always something to pay attention to. Since 2019’s Plague I’ve thoroughly enjoyed betting beaten around the head by their brutal heaviness. On 2021’s Leave Me the Ashes of the Earth and last year’s Deprecipice they only seemed to get heavier and nastier. Which brings us to For All the Dead Dreams, which delivers seventeen minutes of punishment for us to soak up. Continue reading “Mastiff – For All the Dead Dreams (Review)”

Lifesick – Loved by None, Hated by All (Review)

This is the fourth album by Danish metallic hardcore band LIfesick.

I enjoyed Lifesick when I saw them earlier this year supporting Cabal, so knew I wanted to check out the 34 minutes of Loved by None, Hated by All when it appeared. Continue reading “Lifesick – Loved by None, Hated by All (Review)”

Mastiff – Deprecipice (Review)

Mastiff are a hardcore/sludge metal band from the UK and this is their fourth album.

Both 2019’s Plague and 2021’s Leave Me the Ashes of the Earth were enjoyable slabs of ugly sludgy hardcore heaviness, so it’s great to have a new Mastiff album in our lives. Deprecipice contains 34 minutes of material, and sees Mastiff stepping up their game once more. Continue reading “Mastiff – Deprecipice (Review)”

Yersin – The Scythe Is Remorseless (Review)

Yersin are from the UK and play crust/metal. This is their second album.

Yersin play a hybrid style that combines grindcore, crust, death metal, black metal, and thrash metal into 25 minutes of sludgy filth and fury. This may be a short album, but it packs a punch. Continue reading “Yersin – The Scythe Is Remorseless (Review)”

Spill Your Guts – The Wrath It Takes (Review)

Spill Your Guts are a blackened hardcore band from China and this is their second album.

The promo blurb states the following bands as influences on Spill Your Guts – Turbonegro, Kvelertak, Trap Them,
Every Time I Die, The Bronx,
All Pigs Must Die, Refused, and Shai Hulud – and these serve as a decent starting point for approaching the 31 minutes of material that makes up The Wrath It Takes. Continue reading “Spill Your Guts – The Wrath It Takes (Review)”

Descent – Order of Chaos (Review)

Descent are an Australian death metal act and this is their second album.

Order of Chaos offers a tight 30 minutes of punishing death metal. Smashing together HM-2-influenced death metal with ferocious grindcore and caustic punk, Descent’s second album is a vicious beast. Continue reading “Descent – Order of Chaos (Review)”

All Pigs Must Die – Hostage Animal (Review)

This is the third album from All Pigs Must Die, a US hardcore band.

Ever since 2013’s Nothing Violates This Nature knocked me off my feet, kicked me in the teeth, and stamped down on my neck, I’ve been looking forward to the next instalment of brutal abuse from this impressive act. Continue reading “All Pigs Must Die – Hostage Animal (Review)”

Seeker – Loss (Review)

Seeker are from the US and play grindcore/hardcore. This is their second album.

Now this is the stuff for those days when you just can’t seem to get going and you need a huge kick up the arse to get you moving. Seeker are the steel-toe capped boot. Continue reading “Seeker – Loss (Review)”

Jagged Vision – Death Is This World (Review)

This is the second album from Jagged Vision, a Norwegian metallic hardcore band.

As a starting point for Jagged Vision’s sound, imagine a band like Black Tusk or Doomriders, add in some All Pigs Must Die, and then coat the entire thing in a violent metallic hardcore sheen.

Jagged Vision play a hardcore/sludge/metal mix that borrows from aspects of all styles, allowing the band to firmly cement their own personality. Continue reading “Jagged Vision – Death Is This World (Review)”

Trap Them – Crown Feral (Review)

Trap Them are a hardcore band from the US. This is their fifth album.

Trap Them play dark hardcore, full of raw nastiness and rabid bite.

The singer has the perfect voice for this kind of thing; completely feral and utterly aggressive. His high-pitched screaming shouts lash out from the music like dangerous bladed weapons, eager to draw blood. With compelling rhythms and engaging, memorable vocal patterns, his voice is the driving factor and focal point for the dark music. Continue reading “Trap Them – Crown Feral (Review)”