Loathe – I Let It in and It Took Everything (Review)

Loathe - I Let It in and It Took EverythingThis is the second album from UK modern metallers Loathe.

Loathe’s music is based on a modern, contemporary vision of heavy music, and then added to by a wider set of influences. The end result is a multifaceted, textured album that spends 49 minutes exploring diverse and impactful soundscapes with the listener. Continue reading

Monthly Overview – the Best of January 2020

2020 beckons, and there’s new metal to be hungrily devoured. This January seems to have been better than the last one release-wise, with a wealth of good albums to choose from. I’ve picked seven below I’ve particularly enjoyed. Let’s see what you think of these… Continue reading

Sons of a Wanted Man – Kenoma (Review)

Sons of a Wanted Man - KenomaSons of a Wanted Man are a post-black metal band from Belgium and this is their debut album.

Sons of a Wanted Man mix post-metal, shoegaze, and melancholic atmosphere into their blackened concoction, resulting in a multifaceted album that hits many highs across its 47-minute playing time. Continue reading

Monolithe – Okta Khora (Review)

Monolithe - Okta KhoraThis is the eighth album from French doom metallers Monolithe.

Monolithe can do no wrong in my humble opinion. Across many releases, (here, here, here, here, here, and here, for example), the band have consistently delivered the sort of quality, engrossing doom metal that just keeps drawing you back no matter how much time you give it. Okta Khora is no different in this regard. Continue reading

Human Target Tour – Thy Art Is Murder/Carnifex/Fit for an Autopsy/Rivers of Nihil/I Am – Manchester Academy 2, 26/01/20 (Live Review)

Human Target Tour 2020

Tonight’s sold out show boasts a strong lineup of modern heaviness and extremity. It’s a show I’m very glad I have got to attend. So without further ado… Continue reading

Deathwhite – Grave Image (Review)

Deathwhite - Grave ImageDeathwhite are a melodic metal band from the US and this is their second album.

Ever since 2014’s Ethereal saw the light of day, I’ve enjoyed watching Deathwhite flex their creative, melodically-charged muscles. Solitary Martyr arrived a year later with a quality delivery, and by the time that 2018’s For a Black Tomorrow came around, it was clear that Deathwhite’s early promise was not squandered at all. Well, it’s now 2020, and the band have returned with 49 minutes of new material. Continue reading