Dead End Scene are a Finnish metal band and this is their latest EP.
Dead End Scene play modern metal. Now, before you start rolling your eyes in boredom, I’d recommend giving Dead End Scene a chance, as they’re more individual and agreeable than you might expect given the genre tag. Continue reading “Dead End Scene – Dead End Scene (Review)”
This is the second album from Swedish progressive metallers The Great Discord.
Ever since catching them live supporting Katatonia earlier this year, I’ve been a huge fan of The Great Discord and their impressive and enjoyable debut album Duende. Continue reading “The Great Discord – The Rabbit Hole (Review)”
This is the fourth album from Belgian dark metal/rock band Diablo Blvd.
Just take a look at that album cover. I mean, how could you not be intrigued by that?
When you delve in, you’ll find that Diablo Blvd play a mix of classic and Continue reading “Diablo Blvd – Zero Hour (Review)”
Eye Sea Black are an Italian metal band and this is their debut EP.
Specialising in its own brand of stylish and sharp aggression, Stigma is almost 20 minutes of modern extreme metal that hits the spot quite nicely. Continue reading “Eye Sea Black – Stigma (Review)”
Epica are a symphonic metal band and this is their latest EP.
One of the things I like about Epica is that although they play Symphonic metal with luscious female vocals, early on in their career they managed to carve out their own path and identity in this well-worn genre. Continue reading “Epica – The Solace System (Review)”
This is the eleventh album from UK progressive metallers Threshold.
Well, Threshold have certainly been busy. Their latest album is quite the progressive monster – a double album lasting 82 minutes; you certainly get your value for money with this one. Continue reading “Threshold – Legends of the Shires (Review)”
The Contortionist are a progressive metal band from the US and this is their fourth album.
Here we have 56 minutes of modern progressive metal that throws in elements of technical and atmospheric metal into the mix, as well as some post-rock and jazz. Continue reading “The Contortionist – Clairvoyant (Review)”
This is the tenth album from Arch Enemy, a Swedish melodic death metal band; although it’s likely that this is a band that you need no real introduction to.
On Will to Power Arch Enemy sound invigorated and full of fresh life. It has the trademark Arch Enemy sound and style, of course, but enhanced and honed to a deadly point. In some ways it’s probably their most diverse album to date, although you should obviously take that within the context that it’s meant. Continue reading “Arch Enemy – Will to Power (Review)”
This is the latest EP from Swiss progressive/post-metal band Nevborn.
A progressive post-metal EP that is just a single 19 minute song? Count me in! What’s that? It also features the supreme vocal talents of the singer of The Ocean? Stop, stop, you’re just overselling it now… Continue reading “Nevborn – Daidalos (Review)”
Neck of the Woods are a progressive metal band from Canada and this is their debut album.
After being suitably impressed with the band’s 2015 self-titled EP, I must admit that I’ve been quite excited and looking forward to hearing some more material from them. Continue reading “Neck of the Woods – The Passenger (Review)”
Wonderbox Metal 