This is the second album by Finnish doom band Ever Circling Wolves.
Ever Circling Wolves play gritty, underground doom metal with some sludge elements thrown in for good measure. If that sounds a bit too simplistic it actually is, as there’s a lot more on offer here than you might expect. Continue reading “Ever Circling Wolves – Of Woe or: How I Learned to Stop Worrying and Love the Gloom (Review)”
This is the third album from US doom band Flesh of the Stars.
How time flies. It was only a couple of years ago that Flesh of the Stars impressed the Hell out of me with their very endearing debut album, Hide. Since then, I’ve somehow missed out on them releasing a second album, and they’re now on their third release, Anhilla. Turns out they’re quite the prolific band. Continue reading “Flesh of the Stars – Anhilla (Review)”
This is US doom/sludge band Unearthly Trance’s sixth album.
Full of heavy riffs and weighty attitude, Stalking the Ghost is an album of gritty doom metal with sludge proclivities.
Brutal hard-hitting riffs are strategically Continue reading “Unearthly Trance – Stalking the Ghost (Review)”
King Woman are a doom metal band from the US. This is their debut album.
Created in the Image of Suffering is an album that takes traditional doom metal and redefines it for the 2017 audience.
Adding female vocals to doom metal is something that’s a lot more common than it once was, so Continue reading “King Woman – Created in the Image of Suffering (Review)”
This is the debut album from Dormansland, a solo act from the UK.
Mixing doom, drone, shoegaze and industrial elements into its near-hour long playing time, After Humanity is a reflective and atmospheric work that’s not afraid to put the boot in when it needs to.
The songs on this release gain traction in the mind of the listener the more they are experienced, and are a combination of emotive, subtle affairs, with harsher industrial-edged themes. Continue reading “Dormansland – After Humanity (Review)”
This is the second album from Greek sludge/post-metal band Allochiria.
Taking the post-metal holy triumvirate of Isis, Neurosis and Cult of Luna as their base influence, Throes works with this starting point and adds heavier, more aggressive sludge metal elements into the mix. Continue reading “Allochiria – Throes (Review)”
Into Orbit are a post-metal band from New Zealand. This is their second album.
Unearthing is just over 40 minutes long and combines post-metal/rock, progressive metal/rock, doom, drone and ambient. Continue reading “Into Orbit – Unearthing (Review)”
This is the second album from Irish doom metal band Dread Sovereign.
2014’s All Hell’s Martyrs was an absolute stormer of an album, and definitely one of my favourites from the doom metal genre. After catching them live at last year’s Damnation Festival, I was very excited to eventually hear some new material from the band. Finally, the wait is over. Continue reading “Dread Sovereign – For Doom the Bell Tolls (Review)”
This is the second album from Finnish doom metallers Altar of Betelgeuze.
Full of fuzzy stoner riffs, this is stoner doom metal that has bitten off a good chunk of death/doom and regurgitates it across these 49 minutes.
Like a more underground version of Continue reading “Altar of Betelgeuze – Among the Ruins (Review)”
Dead Witches are a doom metal band form the UK and this is their debut album.
Dead Witches feature past and current members of Electric Wizard, Ramesses and Psychedelic Witchcraft. Listening to Ouija you can expect slow, hypnotic doom metal that worships at the altar of Pentagram, Saint Vitus and, yes, Electric Wizard. Continue reading “Dead Witches – Ouija (Review)”
Wonderbox Metal 