Has it really been almost three years since Mothersloth’s stellar debut album Moribund Star? Apparently so. Time moves fast, but at least we now have a new release from this talented band. Continue reading
This album combines Doom, Sludge and Stoner with a bit of Progressive Rock to create an album that is much better than most albums without a vocalist has any right to be.
The band seem to have a finely judged sense of dynamics and pacing and the songwriting is of a very high standard, especially considering this is only their first album.
They have immense heavy riffs that are also catchy and memorable, as has to be the case for an instrumental band of this type. They’re not entirely predictable riffs either as they do throw in the odd curveball and unexpected touch here and there.
With a crisp, clear sound the band get to shine strongly as the groovy sounds roll out of the speakers.
If the band merely concentrated on the Stoner side of their sound this would be a good release, but it’s the fact that they also incorporate other styles that brings things up to another level. The tempo and time changes, the more Progressive riffs and the more complex arrangements that complement the basic structure of this style makes for a compelling listen.
The final song Dry Tears does actually feature vocals. These are clean and confident; like the rest of the album they’re perfectly judged and executed.
This album has surprised me with just how good it is. I highly recommend this for anyone into any style of heavy music. If they can keep this level of quality up and get a bit more exposure then I can easily imagine big things in the future for this band. Top work.