This is the debut album from Canadian doom band Empress.
I enjoyed 2017’s Reminiscence, with its psychedelic grooves and rolling riffs. It set out a strong opening argument for the band, which Premonition now ably capitalises on. Combining elements of doom, sludge, progressive, and post-metal into 49 minutes of expressive, mood-focused music, Premonition is a thoroughly convincing affair. Continue reading “Empress – Premonition (Review)”
Eremit are a doom/sludge band from Germany and this is their latest EP.
I loved 2019’s Carrier of Weight, so much that it appeared in my end of year 2019 list too. As such, when this new EP appeared – two tracks, lasting 21 minutes – I knew I had to consume it hungrily. Continue reading “Eremit – Desert of Ghouls (Review)”
TOOMS are an Irish progressive sludge metal band and this is their debut album.
Combining elements of sludge, doom, drone, stoner, and hardcore, with progressive and psychedelic touches, The Orb Offers Massive Signals contains 56 minutes of individual and well-crafted sludge nastiness. Continue reading “TOOMS – The Orb Offers Massive Signals (Review)”
Mazzeri are a French doom metal band and this is their debut album.
Mazzeri contains four tracks, with a total duration of 48 minutes. It’s a release that contains many surprises, and contains many wonders. Continue reading “Mazzeri – Mazzeri (Review)”
Convocation are a funeral doom band from Finland, and this is their second album.
I enjoyed 2018’s Scars Across; the band’s brand of atmospheric funeral death/doom was crushingly oppressive and filled with misery, just as you’d want something like this to be. Convocation have now returned with 45 minutes of Continue reading “Convocation – Ashes Coalesce (Review)”
Northern Crown are a doom metal band from the US and this is their third album.
Northern Crown’s past material left very positive marks on me, (In the Hands of the Betrayer, The Others), so I turned to In a Pallid Shadow with hopes of an enjoyable romp into doom metal waters. Continue reading “Northern Crown – In a Pallid Shadow (Review)”
This is the debut album from US doom metal band Cathartes Aura.
This album is available in two different versions; the first is divided into four tracks, while the second is a single 42-minute song. Needles to say, I recommend the latter as the definitive version, but ultimately the music is the same either way. Continue reading “Cathartes Aura – Cathartes Aura (Review)”
Wren are a UK sludge/post-metal band and this is their second album.
2017’s Auburn Rule was a seriously good record. Now that the band have returned, we’re treated to 45 minutes of new material. Continue reading “Wren – Groundswells (Review)”
Bell Witch and Aerial Ruin are both artists from the US, and they have teamed up to bring us 64 minutes of mournful doom. Although no strangers to working together, this is their first fully fledged collaboration.
This is a darkly beautiful work, constructed from Continue reading “Bell Witch and Aerial Ruin – Stygian Bough Volume 1 (Review)”
Vile Creature are a Canadian doom band and this is their third album.
2018’s Cast of Static and Smoke was a notable album, both musically and as a conceptual work that was fleshed out by a short story. Vile Creature have now returned, and what they have unleashed on the world is a superlative piece of heavy art. Continue reading “Vile Creature – Glory, Glory! Apathy Took Helm! (Review)”
Wonderbox Metal 