Narbeleth is a Cuban one-man black metal band and this is his fourth album.
I’ve been willingly following Narbeleth’s work for a few years now, starting with 2014’s A Hatred Manifesto and then with 2015’s Through Blackness, and Remote Places. There’s just something so pleasingly atavistic, raw, Continue reading “Narbeleth – Indomitvs (Review)”
This is the debut album from Suns of Sorath, a progressive black/death metal band from the US.
Flowers of the Lily boasts a lot of complex, technical playing. This has been structured into progressive music with black/death leanings, and peppered with avant-garde, classical, and jazz influences. Continue reading “Suns of Sorath – Flowers of the Lily (Review)”
Agonia Black Vomit is an Italian one-man black metal band and this is his second album.
Ostensibly raw, occult black metal; the brains behind Agonia Black Vomit has surprised by managing to produce and album that recognisably plays the classic blackened style, but offers a lot more depth and variety than you normally find in something of this nature. Continue reading “Agonia Black Vomit – Cosmosatanic Wisdom (Review)”
Kval is a one-man black metal band from Finland and this is his debut album.
Apparently starting out life under the name Khaossos and released in 2015 with the title Kuolonkuu, this new version is a re-recorded beast that’s now been updated and Continue reading “Kval – Kval (Review)”
This is the second album from Falaise, a black metal band from Italy.
A very much enjoyed the band’s debut album As Time Goes By, which was an hour of enjoyable blackgaze melancholy, with dark atmosphere and depressive moods. Continue reading “Falaise – My Endless Immensity (Review)”
This is a split between two US bands – Rope and Knife play black metal and Metal Eater play grindcore.
Rope and Knife are up first, and offer us two tracks with a total playing time of just under eight minutes. Continue reading “Rope and Knife/Metal Eater – Split (Review)”
This is the second album from Neverending Winter, a Russian black metal band.
Here we have 27 minutes of interesting black metal, with punk, progressive, and folk elements mixed in. Continue reading “Neverending Winter – Хиус (Review)”
Prezir are a US black metal band and this is their debut EP.
Contempt combines black, death, and thrash influences into a feral blackened mass of hate and violence. Continue reading “Prezir – Contempt (Review)”
Orbseven is a one-man post-black metal band from the US and this is his fourth album.
2014’s .ismos. was a creative and novel album that took various aspects of avant-garde, experimental, and post-black metal and forged them into something quite enjoyable and satisfying. Continue reading “Orbseven – Cosmos out of Chaos (Review)”
Hailing from the Netherlands, this is the third album from black metallers Israthoum.
Israthoum’s 2012 album Black Poison and Shared Wounds was a notable release, birthed from the underground with bile and venom. 2015’s Antru Kald cemented their position as a band to pay close attention to, and with this in mind we have now been rewarded with a third full length from this engaging entity. Continue reading “Israthoum – Channeling Death and Devil (Review)”
Wonderbox Metal 